Welcome to the new Independent website. We hope you enjoy it and we value your feedback. Please contact us here.


Susie Rushton: Good pop, bad pop. Which one will Glee be?

Brace your ears: we are now entering the peak of the season that musical taste forgot. For the next fortnight, you and I will have to endure more glam-rock jingling, more mawkish Fifties crooning, and more kiddies singing carols, than we strictly deserve.

Step into any sandwich bar, outlet of Gap, pub or even bookshop (sad, but true), and one is followed by the eternal playlist of Bing, Wizzard, John & Yoko and Slade. Why does it have to be like this? Because, secretly, that's what we really enjoy.

There's no such thing as a cool Christmas pop song, the closest contender being perhaps the New Wavy "Christmas Wrapping" by The Waitresses, simply because it sounds so deadpan and don't-care in an early-1980s kind of way. But even in a genre where the tinkly sound of sleigh bells and lyrics about "decking the tree" are mandatory, there is bad and there is good. The former, we all know; this year, it is summed up by Michael Bublé, pictured, and his album of croony covers, the imaginatively entitled Christmas.

But the latter – surprisingly good Yule pop, the songs that you'll actually sing along to, if encouraged by enough alcohol – are much debated. On the musicians' website MusicRadar, a poll by professionals put The Pogues and Kirsty MacColl's "Fairytale of New York" at the top spot of a chart that included Mike Oldfield's "In Dulci Jubilo" ("kick-ass guitar solo") and The Beach Boys' "Little Saint Nick" ("may have invented snowboarding").

The voting musos might have more populist taste than you'd think – The Pogues' drunken folk ballad, first released in 1987, just re-entered the charts this week at number 15. It was just trumped by Mariah Carey's "All I Want for Christmas Is You" – recorded 17 years ago – which is now at number 12.

All we want for Christmas is familiarity, it seems. A successful Christmas song is a gold mine for any artist, because the sales keep coming in; Noddy Holder has referred to Slade's overplayed single as his pension scheme. Sometimes these singles aren't even particularly successful when first released, but keep selling over time. Also picking up a prize for the best snowy video, Wham!'s "Last Christmas" (1984) is the biggest-selling UK single never to have actually made it to No 1.

That gives a pretty good chance to this year's newest contender, a re-recording of "Do They Know It's Christmas?" by the cast of Glee. Yes, the new version is a smoothed-out, Americanised rendition of the 1984 original by Band Aid – which featured "Simon Le Bon's horrific over-singing", according to MusicRadar – but it ticks the boxes for tradition, sleigh bells and bouncy melody. Let Little Mix try to trounce that with their "Cannonball"!