Classical Music: Last waltz?

The rhythm made famous by Strauss is due for a comeback, says Bayan Northcott

Whatever happened to the waltz? The question is current not just because Johann Strauss the younger is Radio 3 Composer of the Week from next Monday but also because we are supposed to be living in an increasingly post-modern paradise, in which composers, listeners - and dancers for that matter - now feel free to mix classical and pop, ethnic and electronic, austerity and kitsch, as the spirit takes them. And, in recent centuries, no genre of Western music has crossed barriers of class, taste, wealth or custom so completely as the waltz itself.

Though initially disguised under a variety of names, such as German Dance or Landler, as it emerged in central Europe in the mid-18th century, the waltz has always exploited triple time - three beats in a bar - whether as a slowish glide or a fastish dash, and has always involved clasped partners whirling one another around.

The latter development soon moved moralists to denounce the lascivious waltz as the downfall of civilisation, but to no avail - not least, because composers of the calibre of Mozart, Beethoven and Schubert realised that they could turn a penny on the side by scribbling sets of waltzes for court occasions or for the bourgeoise music trade. In the 1790s, the waltz was already a popular craze - by 1819, it was aspiring to the highest flights of art.

That year, the Viennese publisher Anton Diabelli sent a modest little waltz of his own making to some 50 composers, including Schubert and the very young Liszt, requesting a variation from each to put out in a collected volume. Yet what he got back from Beethoven some three years later was a set of no less than 33 variations comprising one of the profoundest masterpieces in the history of piano music. Meanwhile, Weber published a rondo for piano comprising a chain of waltzes enclosed between a more poetic introduction and epilogue. Subsequently orchestrated by Berlioz under the title of L'Invitation a la Valse, this was to become the model for the waltz sequences developed by such dance band leaders as Joseph Lanmar and Johann Strauss the elder in the 1830s and '40s, and brought to perfection in such masterpieces of Strauss's most famous son as On the Beautiful Blue Danube (1867). By now, the introductions were symphonic elaborations, magical summonses to the couples at an Imperial ball to drift dreamily on to the floor before moving as one into the great circle of the opening waltz itself.

In fact, Berlioz had long since introduced the waltz into the symphony proper in his Sonfonia Fantastique (1830), while Chopin and Liszt had developed the piano waltz into a vehicle for the subtlest nuances or the most diabolical display.

By the mid-19th century, the waltz seemed ubiquitous, infusing the symphonies of Tchaikovsky as audibly as his ballets, and insinuating its way into the most private piano pieces of Brahms. Even when the young Richard Strauss (no relation) sought to evoke the "dance song" of the Nietzschian Superman in his tone-poem Also Sprach Zarathustra (1826), he moved without the slightest inhibition into a Viennese waltz.

And this pervasiveness was not confined to ballroom or concert hall. The chorus of Hebrew slaves in Verdi's early opera Nabucco was already a kind of slow waltz; Gounod contrived to slip the flightiest French valse into Faust, and even Wagner ultimately succumbed, evoking the Flower Maidens in Parsifal in what he called an "American waltz" - by which he can only have meant the slow genre known as the Boston.

Then in the 1900s, as if the pre-eminence of the waltz had raised it to a kind of early-warning system of the zeitgeist, something happened. Suddenly the waltz passages in Mahler's Fifth Symphony (1902) turned self- conscious and satirical; suddenly, in the run-up to the First World War, there appeared a whole clutch of scores - Ravel's Valses Nobles et Sentimentales, Debussy's Jeux, Berg's Reigem from his Three Orchestral Pieces - in which waltz structures seem to dissolve, leaving mere drifts of feeling. Meanwhile, Stravinsky was syphoning off the feeling, leaving the mere mechanics in such dry little numbers as the waltz in A Soldier's Tale (1918), though it fell, once more, to Ravel to deliver what some have heard as the symphonic deathblow with his vision of Imperial Vienna whirling itself to oblivion in La Valse (1920). True, the cult of the waltz lingered longer among composers of genteel light music and in the domains of the musical and the film score, but it was increasingly fodder for modes of nostalgic pastiche. As for waltzing itself, this now seems mainly confined to the ever more stylised world of ballroom dancing.

Well, doubtless the most popular forms have had their day, and, if we no longer write or dance waltzes, neither do we minnets or jigs. But there is something else here. Any survey of dance music since it began to be written down in quantity during the Renaissance period will quickly reveal how the dominant dances at particular periods have tended to divide rather evenly between those in duple time - two or four beats in a bar - and those in triple. This complementary relationship even held in the 19th century when the waltz, at its zenith, was almost rivalled in popularity by the duple-time polka.

It is at this point that one comes across a historical anomaly in 20th century dance music - indeed, in popular music as a whole - so pervasive it is rarely even remarked upon. If one surveys the commercialisation of the popular, from the emergence of ragtime, jazz and such dances as the tango, before the mid-20th century and the evolution of rock, pop, disco and so on since, one finds it has been overwhelmingly cast in duple time. Of course, exceptions spring to mind, from the odd ragtime waltz by Scott Joplin to the occasional emergence in the charts over more recent decades of slow triple-time ballads. But the bias remains striking. Nor is it any longer confined to popular genres.

Admittedly, the history of rhythm in 20th century classical music has been complicated by a sustained effort of several generations of "advanced" composers to get away from any sense of regular pulse whatever - to achieve a perpetual irregularity of rhythm in keeping with the perpetual turnover of pitches freed from traditional tonality. Yet in the widespread retreat from such avant-garde aims over the last couple of decades, attempts to restore tonality, particularly in more trundling modes of minimalism, have brought corresponding obsessions with duple time. It is almost as rare to find Philip Glass coming out with a triple-time number as it is Oasis.

In this supposedly pluralistic era, we are therefore confronted by the singular and possibly sinister paradox that the casting of the vast bulk of the most marketable music in one of the two basic metres in Western tradition threatens the marginalisation of the other. No doubt it would take the aesthetic, economic, psychological and philosophical insights of a latter-day Adorno to tease out the implications. For instance, if we accept the old association of duple time - the rhythm of marching, hammering and so on - with masculinity and of triple time with femininity, what does the dominance of the duple really tell us about the status of women? And, as the disco beats boom through the shopping malls, do we begin to sense the oppression of social control behind the glittering consumer choices?

In duple time, after all, the metre is all downbeats, whereas triple time offers the vastly expanded possibilities of complementary upbeats. Which is just one of the reasons why composers seeking to achieve something genuinely fresh could do worse than to sample once more the resources of rhythm and phrasing latent in the evolution of that old, old Straussian waltz.

Composer of the Week, BBC Radio 3 from noon, Monday 4 May.

Suggested Topics
News
Jeremy Paxman has admitted he is a 'one-nation Tory' and complained that Newsnight is made by idealistic '13-year-olds' who foolishly think they can 'change the world'.
peopleThe idea has been greeted enthusiastically by the party's MPs
News
Michael Buerk in the I'm A Celebrity jungle 2014
people
Voices
File: David Cameron offers a toast during a State Dinner in his honour March 14, 2012
voicesAnd nobody from Ukip said babies born to migrants should be classed as migrants, says Nigel Farage
Arts and Entertainment
Avatar grossed $2.8bn at the box office after its release in 2009
filmJames Cameron is excited
PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
Life and Style
ebookNow available in paperback
Life and Style
ebooksA superb mix of recipes serving up the freshest of local produce in a delicious range of styles
Arts and Entertainment
Stik on the crane as he completed the mural
art
News
Happy in his hat: Pharrell Williams
people
Arts and Entertainment
Stella Gibson is getting closer to catching her killer
tvReview: It's gripping edge-of-the-seat drama, so a curveball can be forgiven at such a late stage
News
Brazilian football legend Pele pictured in 2011
peopleFans had feared the worst when it was announced the Brazil legand was in a 'special care' unit
News
i100(More than you think)
Sport
Brendan Rodgers seems more stressed than ever before as Liverpool manager
FOOTBALLI like Rodgers as a manager but Liverpool seem to be going backwards not forwards this season
News
The Magna Carta
archaeologyContemporary account of historic signing discovered
News
Phyllis Dorothy James on stage during a reading of her book 'Death Comes to Pemberley' last year
peopleJohn Walsh pays tribute to PD James, who died today
Sport
Benjamin Stambouli celebrates his goal for Tottenham last night
FOOTBALL
Life and Style
Dishing it out: the head chef in ‘Ratatouille’
food + drinkShould UK restaurants follow suit?
News
peopleExclusive: Maryum and Hana Ali share their stories of the family man behind the boxing gloves
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating
and  

By clicking 'Search' you
are agreeing to our
Terms of Use.

ES Rentals

    iJobs Job Widget
    iJobs General

    Ashdown Group: Senior PHP Developer - OOP, Javascript, HTML, CSS, SQL

    £39000 per annum: Ashdown Group: Senior PHP Developer - OOP, Javascript, HTML,...

    Austen Lloyd: Commercial / Residential Property - Surrey

    Excellent Salary: Austen Lloyd: SURREY MARKET TOWN - SENIOR PROPERTY SOLICITOR...

    Recruitment Genius: Graduate Programme - Online Location Services Business

    Negotiable: Recruitment Genius: What do you want to do with your career? Do yo...

    Recruitment Genius: Senior QC Scientist

    Negotiable: Recruitment Genius: This company is a leading expert in immunoassa...

    Day In a Page

    Homeless Veterans Christmas Appeal: ‘We give them hope. They come to us when no one else can help’

    Christmas Appeal

    Meet the charity giving homeless veterans hope – and who they turn to when no one else can help
    Should doctors and patients learn to plan humane, happier endings rather than trying to prolong life?

    Is it always right to try to prolong life?

    Most of us would prefer to die in our own beds, with our families beside us. But, as a GP, Margaret McCartney sees too many end their days in a medicalised battle
    Thomas Cook's outgoing boss Harriet Green got by on four hours sleep a night - is that what it takes for women to get to the top?

    What does it take for women to get to the top?

    Thomas Cook's outgoing boss Harriet Green got by on four hours sleep a night and told women they had to do more if they wanted to get on
    Christmas jumper craze: Inside the UK factory behind this year's multicultural must-have

    Knitting pretty: British Christmas Jumpers

    Simmy Richman visits Jack Masters, the company behind this year's multicultural must-have
    French chefs have launched a campaign to end violence in kitchens - should British restaurants follow suit?

    French chefs campaign against bullying

    A group of top chefs signed a manifesto against violence in kitchens following the sacking of a chef at a Paris restaurant for scalding his kitchen assistant with a white-hot spoon
    Radio 4 to broadcast 10-hour War and Peace on New Year's Day as Controller warns of cuts

    Just what you need on a New Year hangover...

    Radio 4 to broadcast 10-hour adaptation of War and Peace on first day of 2015
    Cuba set to stage its first US musical in 50 years

    Cuba to stage first US musical in 50 years

    Claire Allfree finds out if the new production of Rent will hit the right note in Havana
    Christmas 2014: 10 best educational toys

    Learn and play: 10 best educational toys

    Of course you want them to have fun, but even better if they can learn at the same time
    Paul Scholes column: I like Brendan Rodgers as a manager but Liverpool seem to be going backwards not forwards this season

    Paul Scholes column

    I like Brendan Rodgers as a manager but Liverpool seem to be going backwards not forwards this season
    Lewis Moody column: Stuart Lancaster has made all the right calls – now England must deliver

    Lewis Moody: Lancaster has made all the right calls – now England must deliver

    So what must the red-rose do differently? They have to take the points on offer 
    Cameron, Miliband and Clegg join forces for Homeless Veterans campaign

    Cameron, Miliband and Clegg join forces for Homeless Veterans campaign

    It's in all our interests to look after servicemen and women who fall on hard times, say party leaders
    Millionaire Sol Campbell wades into wealthy backlash against Labour's mansion tax

    Sol Campbell cries foul at Labour's mansion tax

    The former England defender joins Myleene Klass, Griff Rhys Jones and Melvyn Bragg in criticising proposals
    Nicolas Sarkozy returns: The ex-President is preparing to fight for the leadership of France's main opposition party – but will he win big enough?

    Sarkozy returns

    The ex-President is preparing to fight for the leadership of France's main opposition party – but will he win big enough?
    Is the criticism of Ed Miliband a coded form of anti-Semitism?

    Is the criticism of Miliband anti-Semitic?

    Attacks on the Labour leader have coalesced around a sense that he is different, weird, a man apart. But is the criticism more sinister?
    Ouija boards are the must-have gift this Christmas, fuelled by a schlock horror film

    Ouija boards are the must-have festive gift

    Simon Usborne explores the appeal - and mysteries - of a century-old parlour game