Still perfect after all these years

Ever since `The Good Life', the entire male population has been in love with Felicity Kendal. Her latest part strips her of her clothes, but not her squeaky-clean image. Georgina Brown met her

For a fleeting moment in Tom Stoppard's new play suspension of disbelief is suspended as Felicity Kendal, for the first time in her career, appears with her kit off. It's a matter of seconds, snatched through a mosquito net and the scene quickly takes over, but it leaves a few - male - hot under the collar and many - female - green at the gills. A flash as it is, it's time enough to see that Kendal is slender and gorgeous by the standards of any young mother of two, and in staggeringly good shape by those of a 48-year-old. (Was she, one wonders, the inspiration for the first Mrs Stoppard's book on beating the menopause?)

Kendal is happy to talk about it. "They haven't come off till now because it hasn't been necessary or appropriate. It's not because I've at last been asked and I've been dying to do it for all these years," she says in that smiley, throaty voice that swells into a giggle which is something between a coo and a gurgle and then explodes into a gleeful, slightly wild "ha, ha, ha". Then, in an instant, she gathers herself together and is once more all no-nonsense composure. "It was always a decision. I'm not a great flasher obviously, but I'm not a shy person either. I didn't think twice about it, possibly because it's to do with Flora's illness and isn't something that tries to be sexy. The play's about a guy painting a woman nude. You'd be selling it short if you started being coy. If there's one word you don't want to read about this character in a review, it's coy."

On reflection, this is the one stage direction we should perhaps have predicted in a new Stoppard. For years he has been writing roles apparently designed to show Kendal in the most delightful light, and to reveal outer as well as inner perfection at the age of 48 is just another accolade. It is safe to say that Kendal is never going to appear in a Stoppard wearing a filthy slip, her hair greasy, throwing herself at a passerby. She says this is nothing to do with her, everything to do with what he writes.

"Tom doesn't write character plays, he writes about ideas, more like Shaw really. He likes writing clever people. The characters could swap some of the dialogue because they're presenting this magical circus of links and loops and language. You can't push too much blood and guts and sweat and deodorant into his plays because they're not about that."

This is Kendal's sixth Stoppard (six and a half if you count the radio play In the Native State which is the source of Indian Ink). He was so determined that this "bossy little blonde ", as he affectionately described her, should premier Hapgood that he delayed the opening to fit in with her second pregnancy. So is she Stoppard's muse?

"I know what you mean," Kendal says. "There's obviously a link, but three of the plays have nothing to do with me at all. I've absolutely no idea how anyone writes anything but I'm sure it always is related to the people you know. It's a partnership that works - it's like a painter finding the kind of shape he wants in a woman, a building, a landscape. That is what you are; you happen to be it, but you don't make it. There are people that influence people but it's only because they fit." Fluffy she may be, but she is also extremely firm.

She met Stoppard for the first time when she was cast as a boy in On the Razzle in 1981 at the National ("my most favourite part in the world") while she was doing Othello and Amadeus. They became a rather glamorous couple, but The Real Thing had been written before that, so had Arcadia - and the production of Jumpers she was in was a revival. This leaves Hapgood, Native State and Indian Ink (the two latter set in India, a background shared by Stoppard and Kendal) as the only plays in which she might have had a direct influence. There are few people with much clue about the terms of a partnership conducted from separate Chelsea houses: "The relationship we want works wonderfully. What it is is my secret, and one day I'll write a book about it." Kendal goes to some pains to establish how single she is right now, explaining, as she removes a large pair of boots from her drawing room, that her eldest son, Charlie, is very happy to live at home because there is no competition for who's going to sit in the most important chair. She also insists that Tom's plays would be written and staged whether she was around or not, and that working with him might not be everyone's idea of fun. The play opens tonight and he has been madly shuffling scenes and reworking the end.

"It's tricky when things change because I like practising. I'm not one of those actors who turns up with a performance. I put it together bit by bit and find out how I like to do it. I'm entering the phase I always reach around this time when I want to shout `Taxi!' and go somewhere else and not do it." She won't, of course, and despite last-minute alterations she will pull it off. Kendal has a reputation in the business for commitment, competence, great charm and a natural sense of timing.

Today she is wearing tiny tight black jeans and a classy gauzy jumper designed to reveal a tiny sleeveless black body beneath. She perches on a stool, legs astride, one elbow on one knee and her chin cupped in her hand looking every inch (5ft 2in, size six) like Peter Pan. The part of Flora requires her hair to be English mouse - "Not being blonde is a much bigger sacrifice than taking my clothes off" - but apart from that and a faint line or two, and minus the cardy and wellies, she's instantly identifiable as Barbara in The Good Life, a part she played two decades ago for eight years. "She was gutsy, not too glamorous, absolutely devoted to her husband. Everyone's perfect partner. It's a winner, that kind of part." A survey done at the time revealed that half the male population was secretly in love with her, the other half made no secret of it. She hopes they will come to the play, but suspects that the cost of the theatre ticket might well test the strength of their infatuation. "If you charge 50p an autograph, you suddenly find people don't want it quite so much."

Despite a recent hilarious appearance on Ruby Wax wearing a bustier, thigh boots and cracking a whip ("I got a completely different reaction from the boys in Peter Jones the next day") the squeaky-clean image of goody-goody Barbara sticks like marmalade, and she doesn't ever expect to shrug her off entirely. In any case, she offered her the break she badly needed.

Kendal has no classical training. She was brought up in India where her parents, actor-managers, went with Ensa during the war to tour doing twice- nightly rep. They fell in love with the heat and the jasmine and stayed for ever. If one of the troupe died, they wired Spotlight in London to send someone new. At the age of 10, Felicity was an accomplished stage manager, had played Puck and knew most of Shakespeare off by heart. "It was a wonderful apprenticeship but no one was very interested when I came back to England. It was all Julie Christie and Twiggy, and it was terribly hard to get started."

Her biggest fans - Peter Hall among them - will cast her adventurously, encouraging her to play down the doll-like vulnerability and turn up the forcefulness in parts such as Desdemona. "He made me much stronger. I found it quite hard to be anything other than reasonably pleasing until then." For her unremittingly tragic performance in Ivanov she won an award, and yet she has rarely been given the parts of deeply suffering souls. One critic has suggested this is because she is always Felicity Kendal her suffering is not plausible. "You can't expect the praise without also expecting the damning, and you have to be brave enough to try things. The instrument I have won't fit anywhere. I've done parts which I feel someone else would have done a great deal better but you just struggle on."

She is sorry she's missed out on some Shaw and some Shakespeare she now feels she's too old for, but there's "lots left to do that's quite yummy and the experience I've got is really nice to have. I simply enjoy working. For all one's pretensions to being artistic and clever and good, what's really lovely is being in a short play with your chums that goes well, and then you go home early."

`Indian Ink' opens tonight at the Aldwych Theatre, London WC2 (0171- 416 6003).

News
peopleFrankie Boyle responds to referendum result in characteristically offensive style
Arts and Entertainment
'New Tricks' star Dennis Waterman is departing from the show after he completes filming on two more episodes
tvHe is only remaining member of original cast
Arts and Entertainment
tvHighs and lows of the cast's careers since 2004
News
news
PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
Life and Style
ebooksA superb mix of recipes serving up the freshest of local produce in a delicious range of styles
Life and Style
ebooksFrom the lifespan of a slug to the distance to the Sun: answers to 500 questions from readers
New Articles
i100
Life and Style
Couples have been having sex less in 2014, according to a new survey
life
Arts and Entertainment
musicBiographer Hunter Davies has collected nearly a hundred original manuscripts
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating
and  

By clicking 'Search' you
are agreeing to our
Terms of Use.

ES Rentals

    iJobs Job Widget
    iJobs General

    Cover Supervisor

    £75 - £90 per day + negotiable: Randstad Education Group: Are you a cover supe...

    Marketing Manager - Leicestershire - £35,000

    £30000 - £35000 per annum: Ashdown Group: Marketing Manager (CIM, B2B, MS Offi...

    Marketing Executive (B2B and B2C) - Rugby, Warwickshire

    £22000 - £25000 per annum: Ashdown Group: A highly successful organisation wit...

    SEN Coordinator + Teacher (SENCO)

    £1 per day: Randstad Education Leeds: Job Purpose To work closely with the he...

    Day In a Page

    Scottish referendum: The Yes vote was the love that dared speak its name, but it was not to be

    Despite the result, this is the end of the status quo

    Boyd Tonkin on the fall-out from the Scottish referendum
    Manolo Blahnik: The high priest of heels talks flats, Englishness, and why he loves Mary Beard

    Manolo Blahnik: Flats, Englishness, and Mary Beard

    The shoe designer who has been dubbed 'the patron saint of the stiletto'
    The Beatles biographer reveals exclusive original manuscripts of some of the best pop songs ever written

    Scrambled eggs and LSD

    Behind The Beatles' lyrics - thanks to Hunter Davis's original manuscript copies
    'Normcore' fashion: Blending in is the new standing out in latest catwalk non-trend

    'Normcore': Blending in is the new standing out

    Just when fashion was in grave danger of running out of trends, it only went and invented the non-trend. Rebecca Gonsalves investigates
    Dance’s new leading ladies fight back: How female vocalists are now writing their own hits

    New leading ladies of dance fight back

    How female vocalists are now writing their own hits
    Mystery of the Ground Zero wedding photo

    A shot in the dark

    Mystery of the wedding photo from Ground Zero
    His life, the universe and everything

    His life, the universe and everything

    New biography sheds light on comic genius of Douglas Adams
    Save us from small screen superheroes

    Save us from small screen superheroes

    Shows like Agents of S.H.I.E.L.D are little more than marketing tools
    Reach for the skies

    Reach for the skies

    From pools to football pitches, rooftop living is looking up
    These are the 12 best hotel spas in the UK

    12 best hotel spas in the UK

    Some hotels go all out on facilities; others stand out for the sheer quality of treatments
    These Iranian-controlled Shia militias used to specialise in killing American soldiers. Now they are fighting Isis, backed up by US airstrikes

    Widespread fear of Isis is producing strange bedfellows

    Iranian-controlled Shia militias that used to kill American soldiers are now fighting Isis, helped by US airstrikes
    Topshop goes part Athena poster, part last spring Prada

    Topshop goes part Athena poster, part last spring Prada

    Shoppers don't come to Topshop for the unique
    How to make a Lego masterpiece

    How to make a Lego masterpiece

    Toy breaks out of the nursery and heads for the gallery
    Meet the ‘Endies’ – city dwellers who are too poor to have fun

    Meet the ‘Endies’ – city dwellers who are too poor to have fun

    Urbanites are cursed with an acronym pointing to Employed but No Disposable Income or Savings
    Paisley’s decision to make peace with IRA enemies might remind the Arabs of Sadat

    Ian Paisley’s decision to make peace with his IRA enemies

    His Save Ulster from Sodomy campaign would surely have been supported by many a Sunni imam