Theatre Review: It's short, it's bleak, it's Samuel Beckett

An Enormous amount of care and attention goes into picking the right actor. And yet, remarkably, the choices that prevail in finding the right play for the right venue are often haphazard. In this respect, Katie Mitchell, artistic director at the Other Place in Stratford, is a rare exception. For Beckett Shorts, Mitchell has assembled two programmes of three Samuel Beckett plays. At the venue, she guides an audience of 60 through six different spaces (some with seats, some without) that constantly alter our expectation of what we are about to see. If these pieces were on a continuous loop they could be shown at the Tate: they are, in effect, installations. This is the Magical Misery Tour.

By moving Beckett Shorts out of a traditional theatre into new arrangements Mitchell makes us see them - as we might in a gallery - as a combination of word, sound, image and expression. The first programme, "Out of the Dark", begins with Footfalls, a piece that's shorter in length than this article, but which takes half an hour to perform. In a gloomy path of light, a hunched, haggard Juliet Stevenson paces up and down a wooden strip talking to her mum. In this compressed image of a mother-daughter relationship, her steps and pauses carry equal weight with the words: the minimalist approach, neatly, becomes total theatre.

Then we are ushered through a corridor of black cloth to stand facing a wall. Small doors pull back to reveal an elderly Debra Gillett on a rocking chair. In Rockaby, her mind is repeatedly assailed by her memories (from a voice-over) as her eyelids close. Finally, in Not I, we see a small strange shape - a mouth - lit with extraordinary precision (by Paule Constable), so that we cannot see any of the light's beam or any of the face. Juliet Stevenson talks (this time round) at tremendous speed. It's a powerful hallucinatory experience watching a disembodied, anguished mouth: whatever the words, we keep investing it with character. One moment it's a feverish hamburger, the next it's a grasping fist, then Kermit the frog. The weird sight overwhelms the hurtling text.

After an hour's break, the audience return, in "Over the Years", to three short plays about men. This manages to be even less consumer-friendly. In A Piece of Monologue, Nigel Cooke stands motionless in a doorway as the Speaker circles through his life. In That Time we are ushered into a circle of light that fades while we see, as if pickled in a tank, the head of Cooke with flowing white hair sprayed out. His eyes open and close, he sighs, and on the voice-over he drifts through fragments of former selves. Finally, in Embers, we are invited to sit in one of two rooms, with two tables displaying objects in wooden boxes (matches, a shoe, a Gillette tin) while in the semi-darkness we listen to actors' voices broadcast a story that takes place in the mind of a late-middle-aged man. Sounds familiar? It did by now. Throughout the two programmes, Mitchell's authoritative approach to the texts, the impressively metronomic acting and the shifting settings, make us view these Shorts as much as works of art as stage plays. But to travel to Stratford and find oneself sitting in a semi-darkened room and listening to a radio play is pushing it. Just a bit. By the end, my head ached from the uncompromising gloom - of the setting and the authorial vision. I needed a couple of aspirin. If not a whole bottle.

In Tennessee Williams's The Milk Train Doesn't Stop Here Any More, the role of the lonely ageing beauty Flora Goforth was originally played by Hermione Baddeley, then by Tallulah Bankhead and (in the film) by Elizabeth Taylor. At the Lyric Hammersmith, it is played by Rupert Everett. I couldn't see why. It's not as if Everett gets us any closer to the character. His Flora owes as much to Restoration fops as it does to Tennessee Williams. He sucks in his cheeks, purses his lips and bridles in his jaw to acquire a roll of fat under his chin. He brushes his hennaed hair up in the air and (a unusual touch, for a man playing a woman) lowers his voice. He has bangles, earrings, and eyelashes that extend beyond the dark glasses. He pouts, flounces, frets, screams and sobs; he has, then, the standard camp repertoire. That's his Flora.

Milk Train is fey enough as it is without resorting to a major injection of artifice. On the island of Capri, the sickly Everett dictates his memoirs, when he (she) is interrupted by the ominous arrival of a poet (James X Mitchell) with a reputation of turning up at people's houses shortly before they die. Everett is warned off him by the "witch of Capri", a flutteringly corpulent figure (David Foxxe) in dinner jacket and gold choker. In Philip Prowse's infuriatingly arch production, the central issue of Flora's relationship with imminent death remains undervalued. Nor is Everett worth seeing in drag. He gives a resolutely masculine impersonation - brittle, satirical, unintuitive - that doesn't penetrate beneath the mascara.

Half way through the second half of Stepping Out - the New Musical, the central character of the tap-dance teacher Mavis (Liz Robertson) confesses to her class of amateur dancers that she is pregnant. After the stale antics of these comic characters (whom we feel we have known in one guise or another for the last 32 years), author Richard Harris presents us with an issue he can't fudge. What's going to happen? Either Mavis is mistaken and she isn't pregnant, or she is pregnant and will have a miscarriage, or she is pregnant and will have an abortion, or she is pregnant and will have a baby. When the cast still have a big tap number to perform before the final curtain, which of the scenarios has Mavis got time for?

Not long after, Mavis says she is no longer pregnant. So was it a mistake? asks one of her class. Something like that, Mavis replies. So the central character probably had an abortion (or something like that) but we can't be absolutely sure. As long as the tap class don't muddle up their "shuffles" with their "buffaloes" we can move on to the phoney feelgood finale. In other words, Stepping Out - the New Musical, with its book by Harris, music by Denis King and lyrics by Mary Stewart-David, is a piece of tosh. Or something like that.

The beamingly good-natured Liz Robertson never looks at ease in the role Liza Minnelli played on film: and she isn't helped by director Julia McKenzie's convention of getting the cast to talk to each other, with the fourth wall as rehearsal mirror. It makes them look cross-eyed, neither connecting with each other, nor with the audience. Harris's jokes grind on with mechanical determination ("it may be February out there but its always August under your armpits"). Similarly, the patterned structure - as one character after another bustles in with comic business - is as dated as Steaming. As this motley group prepare their number for the charity concert - and I've never seen a tap show with so little tap to thrill to - you realise that Stepping Out has been completely outclassed by the story of another bunch of unlikely people determined to put on a show. That's The Full Monty. The stage version can't be far away.

'Beckett Shorts': Stratford Other Place (01789 295623), to 13 Nov. 'The Milk Train Doesn't Stop Here Any More': Lyric, W6 (0181 741 2311), to 29 Nov. 'Stepping Out - the New Musical': Albery, WC2 (0171 369 1730), to 3 Jan.

newsGlobal index has ranked the quality of life for OAPs - but the UK didn't even make it into the top 10
Arts and Entertainment
Swiss guards stand in the Sistine Chapel, which is to be lit, and protected, by 7,000 LEDs

The Sistine Chapel is set to be illuminated with thousands of LEDs

Have you tried new the Independent Digital Edition apps?
Life and Style
ebooksA superb mix of recipes serving up the freshest of local produce in a delicious range of styles
Life and Style
ebooksFrom the lifespan of a slug to the distance to the Sun: answers to 500 questions from readers
peopleStella McCartney apologises over controversial Instagram picture
Gillian Anderson was paid less than her male co-star David Duchovny for three years while she was in the The X-Files until she protested and was given the same salary

Gillian Anderson lays into gender disparity in Hollywood

Life and Style
Laid bare: the Good2Go app ensures people have a chance to make their intentions clear about having sex
techCould Good2Go end disputes about sexual consent - without being a passion-killer?
Arts and Entertainment
Richard Burr remains the baker to beat on the Great British Bake Off
tvRichard remains the baker to beat as Chetna begins to flake
footballArsenal 4 Galatasaray 1: Wenger celebrates 18th anniversary in style
Arts and Entertainment
Amazon has added a cautionary warning to Tom and Jerry cartoons on its streaming service
The village was originally named Llansanffraid-ym-Mechain after the Celtic female Saint Brigit, but the name was changed 150 years ago to Llansantffraid – a decision which suggests the incorrect gender of the saint
newsA Welsh town has changed its name - and a prize if you can notice how
Arts and Entertainment
Kristen Scott Thomas in Electra at the Old Vic
theatreReview: Kristin Scott Thomas is magnificent in a five-star performance of ‘Electra’
Life and Style
Couples who boast about their relationship have been condemned as the most annoying Facebook users
Arts and Entertainment
Hayley Williams performs with Paramore in New York
musicParamore singer says 'Steal Your Girl' is itself stolen from a New Found Glory hit
Ronaldinho signs the t-shirt of a pitch invader
footballProof they are getting bolder
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating

By clicking 'Search' you
are agreeing to our
Terms of Use.

ES Rentals

    iJobs Job Widget
    iJobs General

    Senior Java Developer/Designer

    £400 - £450 Per Day: Clearwater People Solutions Ltd: My client are looking fo...

    Domino Developer and Administrator

    £40000 - £45000 Per Annum + benefits: Clearwater People Solutions Ltd: Domino ...

    SEN Teacher

    £36000 - £37000 per annum: Randstad Education Group: Experienced SEN Teacher n...

    Volunteer Mentor for people who have offended

    This is an unpaid volunteer role. : Belong: We are looking for volunteers who ...

    Day In a Page

    Italian couples fake UK divorce scam on an ‘industrial scale’

    Welcome to Maidenhead, the divorce capital of... Italy

    A look at the the legal tourists who exploited our liberal dissolution rules
    Tom and Jerry cartoons now carry a 'racial prejudice' warning on Amazon

    Tom and Jerry cartoons now carry a 'racial prejudice' warning on Amazon

    The vintage series has often been criticised for racial stereotyping
    An app for the amorous: Could Good2Go end disputes about sexual consent - without being a passion-killer?

    An app for the amorous

    Could Good2Go end disputes about sexual consent - without being a passion-killer?
    Llansanffraid is now Llansantffraid. Welsh town changes its name, but can you spot the difference?

    Llansanffraid is now Llansantffraid

    Welsh town changes its name, but can you spot the difference?
    Charlotte Riley: At the peak of her powers

    Charlotte Riley: At the peak of her powers

    After a few early missteps with Chekhov, her acting career has taken her to Hollywood. Next up is a role in the BBC’s gangster drama ‘Peaky Blinders’
    She's having a laugh: Britain's female comedians have never had it so good

    She's having a laugh

    Britain's female comedians have never had it so good, says stand-up Natalie Haynes
    Sistine Chapel to ‘sing’ with new LED lights designed to bring Michelangelo’s masterpiece out of the shadows

    Let there be light

    Sistine Chapel to ‘sing’ with new LEDs designed to bring Michelangelo’s masterpiece out of the shadows
    Great British Bake Off, semi-final, review: Richard remains the baker to beat

    Tensions rise in Bake Off's pastry week

    Richard remains the baker to beat as Chetna begins to flake
    Paris Fashion Week, spring/summer 2015: Time travel fashion at Louis Vuitton in Paris

    A look to the future

    It's time travel fashion at Louis Vuitton in Paris
    The 10 best bedspreads

    The 10 best bedspreads

    Before you up the tog count on your duvet, add an extra layer and a room-changing piece to your bed this autumn
    Arsenal vs Galatasaray: Five things we learnt from the Emirates

    Arsenal vs Galatasaray

    Five things we learnt from the Gunners' Champions League victory at the Emirates
    Stuart Lancaster’s long-term deal makes sense – a rarity for a decision taken by the RFU

    Lancaster’s long-term deal makes sense – a rarity for a decision taken by the RFU

    This deal gives England a head-start to prepare for 2019 World Cup, says Chris Hewett
    Ebola outbreak: The children orphaned by the virus – then rejected by surviving relatives over fear of infection

    The children orphaned by Ebola...

    ... then rejected by surviving relatives over fear of infection
    Pride: Are censors pandering to homophobia?

    Are censors pandering to homophobia?

    US film censors have ruled 'Pride' unfit for under-16s, though it contains no sex or violence
    The magic of roundabouts

    Lords of the rings

    Just who are the Roundabout Appreciation Society?