Ian Burrell: You can knock Murdoch but credit where it's due to BSkyB
Media Studies: We might retain fears about the influence the media mogul exerts but BSkyB is an impressive act
Ian Burrell is Assistant Editor and Media Editor at The Independent, i paper and Independent on Sunday. He covers news from the whole media sector from television, press, radio and advertising to technology. His weekly column on the media appears every Monday in The Independent and i paper. He also writes on media, music and culture, including long-form pieces for The Independent’s Saturday magazine and the Independent on Sunday’s magazine, New Review. He is a regular presenter of BBC Radio 4’s What The Papers Say and a specialist commentator to Monocle 24 radio. He has contributed to most major broadcast outlets including BBC television and radio, CNN, Sky News, Al Jazeera and LBC. He has also written on media for GQ magazine. Ian has been reporting on the media industry for The Independent for more than a decade. Previously he was the newspaper’s Home Affairs Editor. He worked at The Sunday Times for five years, including as a member of the investigative Insight team, covering stories on political funding, industrial espionage and the arms industry. Previously he worked in ITV for London Weekend Television, on a weekly current affairs programme presented by Danny Baker. Ian trained at the Birmingham Post & Mail and was Regional Reporter of the Year in Press Gazette’s national awards.
Monday 24 September 2012
BSkyB, so the media regulator Ofcom begrudgingly admitted last week, is a "fit and proper" company to hold a broadcasting licence. It's rather more than that. In less than a generation it has transformed the British broadcasting landscape. It has become a new home for some of our best-loved creative talent, from Sir David Attenborough – who uses its 3D technology to push the boundaries of natural history programming – to Steve Coogan, who has taken Alan Partridge to Sky Atlantic.
BSkyB has pioneered broadcasting advances – such as high-definition pictures and its Sky+ recording box – that have revolutionised the viewing experience. It introduced to Britain the idea of the rolling news channel, and Sky News is still the primary television news service in Fleet Street newsrooms. It has flooded British sport with cash and markedly improved the television coverage of football, rugby, cricket and golf. And it has done all this while running a commercial business that makes £1.2bn profit a year in an economic downturn.
Those are facts. We might deplore the impact Rupert Murdoch has had on other sectors of the British media during the past 43 years and be revolted by the way his News International has instigated cultures of phone hacking. We might retain deep fears about the degree of influence that this manipulative media mogul exerts over our society. But BSkyB is an impressive act.
Until recently it remained an outsider in British television. Its base was a ramshackle collection of ugly buildings in an unfashionable and distant suburb of London near Heathrow airport. Today, a visitor to BSkyB's Isleworth headquarters cannot fail to be impressed by its vast modern campus, dominated by the Sky Studios building which is home to eight studios (five HD), 45 edit suites, 14 voice- over suites and four audio suites. It opened last year at a cost of £233m.
Should we be frightened by this broadcasting muscle? Three years ago in Edinburgh, James Murdoch, as chairman of BSkyB and head of News Corp in Europe, Asia and the Middle East, used the platform of the MacTaggart Lecture at the city's International Television Festival to launch an attack on the "chilling" scale of the BBC. His words were partly based on the threat the corporation's website provided to News Corp's print media interests. A year later at the same event, Murdoch was slapped down by the BBC Director General, Mark Thompson, who pointed out that BSkyB had grown so large that it threatened to "dwarf" the BBC. Thompson criticised Sky for not "pulling its weight" by investing in original British programming.
But two years on from that bruising exchange, the atmosphere in the British television industry appears to have altered. When James's sister Elisabeth – whose Shine television business is part of the News Corp empire – gave the MacTaggart last month she was looking to make friends. She even took a pot shot at her confrontational brother and his obsession with profit.
Last week's long-awaited Ofcom report into the corporate governance of BSkyB directed its criticisms overwhelmingly at James, a former chief executive and chairman who is now merely a non-executive director of the broadcaster. The regulator found that his actions in response to the phone- hacking scandal at News Corp's News Group Newspapers suggested he was not up to the job of running a major company.
Ofcom acknowledged that during James's tenure at BSkyB (he was CEO between 2003-2007 and executive chairman from 2007-2012) it "continued to be a successful company" and that he should be "given credit" for its good compliance record during these periods. But this is history. For the past five years the dynamic leadership of BSkyB has been set out not in the Harvard vowels of James Murdoch but in the Geordie inflections of its CEO and former chief financial officer Jeremy Darroch.
The sense that BSkyB is no longer a pariah in British television circles is borne out by the people who now work there. Programming chiefs Sophie Turner-Laing and Stuart Murphy are both ex-BBC. One of the grittiest social commentators in British drama, Paul Abbott (creator of Channel 4's Shameless), made his latest work Hit & Miss (starring Chloë Sevigny) for Sky Atlantic. BBC and Channel 4 stars such as Charlie Brooker, Sanjeev Bhaskar, Ruth Jones and Simon Bird are all working for Sky. Coogan – who, let's not forget, has been one of the most high-profile critics of News Corp over phone hacking – has agreed a second series of Partridge's Mid Morning Matters for Sky Atlantic next year.
And then there is Sky Arts, which some might regard as a cynical attempt to win over the chattering classes. The inclusion in the portfolio of this pair of high-brow channels can also be seen as a strategic play which complements Sky Atlantic (with its enviable access to the HBO catalogue) and encourages middle-class converts to join BSkyB's 10 million-plus subscriber base.
Comments about Sky Arts by the incoming BBC Director General, George Entwistle, in his first interview last week suggested the channels have touched a nerve. "If you're going to do arts, aspire to half a million people watching, not 5,000!" he told the Radio Times. When I spoke to the Culture Minister, Ed Vaizey, he had a different view. "I think Sky Arts is a great pioneering channel in terms of live broadcasts of opera, arts in 3D, and hour-long discussion programmes," he said. "That's Sky's great strength, that it's a vigorous competitor and [in] sport, news, arts does reimagine traditional areas of output and helps keep everybody on their toes."
Indeed, when Entwistle was asked at a press briefing last Wednesday if he felt threatened by the "flight" of TV talent to Sky his outlook was wholly different from that of his predecessor Thompson two years earlier. "They are spending more on original content. That's got to be good for the British creative ecology and in engendering competition, which I do believe leads to improved standards," he said. "It's a really good thing I would say."
Ofcom's ruling may open the way again for News Corp to try and turn its stake in BSkyB from 39.1 per cent to 100 per cent some time next year. The impact of such a development on the balance of power in British media would depend on whether it retains its British newspaper interests, which face further reputational damage from forthcoming criminal prosecutions.
Until then, it's hard to argue that Sky, the result of Rupert Murdoch's creative vision in 1990, and now shorn of his younger son, is a bad thing for British television or for Britain.
MacLennan's mission to rebrand Europe
A year after Time magazine published its provocative "The Decline and Fall of Europe" cover, the communications chiefs of the old Continent have formulated a grand response.
Led by Moray MacLennan, the charismatic head of M&C Saatchi Worldwide, Europe's biggest advertising and communications agencies met in Brussels last week to launch "This is Not My Future".
An attempt to rebrand the entire Continent, this movement aims to help young people set up businesses and overturn what MacLennan calls "the relentless negative commentary on the future of Europe".
He identifies the Time cover as "the precise trigger" for this backlash.
Isn't this a bit of an over-reaction? Rather like Vanity Fair's Blairite 1997 "Cool Britannia" cover, featuring Liam Gallagher and Patsy Kensit, these eye-catching front pages rarely stand the test of time.
Indeed, Time's effort was a doomsday response to the London riots. Since then we've had London 2012. What's next, another "Cool Britannia" cover?
Solving computer crime takes time
One police unit that had no time off during the Olympics was the Operation Tuleta squad, which is investigating computer-related offences.
Among the various Scotland Yard teams investigating criminality that emerged in the phone-hacking scandal, Tuleta – which draws its staff from computer specialists including those from the elite SO15 branch with experience in counter-terrorism – has become the centre of activity.
But so many terabytes of data are under examination that officers could theoretically be working on the inquiry for decades. So far they have arrested 14 people, including a Sun journalist last week, and two of the unit's officers are based at News International's Wapping headquarters.
Refugee crisis: Sweden the only European country with a majority favourable towards non-EU immigration
If these extraordinarily powerful images of a dead Syrian child washed up on a beach don't change Europe's attitude to refugees, what will?
Bob Geldof offers to take four refugee families into his home 'immediately' as he condemns humanitarian crisis as a ‘f**king disgrace'
Teenager creates website allowing motorists to fight parking tickets in minutes
Five practical ways you can help refugees trying to find safety in Europe
- 2 'Heartbreaking' Syria orphan photo wasn't taken in Syria and not of orphan
- 4 Orthorexia nervosa: How becoming obsessed with healthy eating can lead to malnutrition
- 5 Bryan Cranston speaks candidly about wealth
£20000 - £25000 per annum: Recruitment Genius: This national business publishi...
£14500 - £16000 per annum: Recruitment Genius: This is an opportunity to join ...
£22 - £25k basic + Commission=OTE £35k + Benefits: Guru Careers: A Bathroom Sh...
£18 - 20k + Benefits: Guru Careers: An Account Executive / Account Manager is ...