Why Sesame Street still counts

It's four decades since the residents of one of the most famous addresses on TV made their debut. Guy Adams reports on an educational institution

News in pictures
News in pictures
On Facebook
From the blogs

Tyrannosaur and Drive: The difference between loneliness and being alone

The prospect of loneliness is probably one of the biggest fears that humans have to contend with. Mo...

The Woman in Black: From page, to stage, to film

Director James Watkins and screenwriter Jane Goldman discuss how they kept up the constant high leve...

The future of academic publishing

These are the most uncertain times in living memory for academic publishing. After decades of bumpin...

Books with soundtracks: no, really, this one works…

Books with soundtracks. The idea is so glaringly obvious, and so obviously feeble, that I hesitate t...

view gallery VIEW GALLERY

The letter of the day will be "H" as in "hug" or "hungry" or even "happy birthday." The number of the day will be "40," the exact length of time, in years, that it has been on air. The programme reaching this milestone is, of course, Sesame Street.

Big Bird, Oscar the Grouch, Bert, Ernie and their multicoloured friends will enter a fifth decade next Tuesday. Their 4,187th public outing, more than any other in the history of children's television, will be celebrated with an appropriately lofty guest star: Michelle Obama.

The booking is, in its own way, a symbol of Sesame Street's extraordinary success. Founded to help educate American pre-schoolers, especially in the inner cities, the programme has always been as ethnically diverse as the society it would go on to shape. One might argue, at a push, that the first African-American President owes his election to Sesame Street's former viewers.

Like generations of celebrity guests, Mrs Obama will help to explain the subtleties of reading, writing and arithmetic to her young audience. Then, with the help of Big Bird, an enormous ostrich-like creature, she'll rattle through a valuable life lesson. "Veggies taste so good when they come from the garden, don't they?" a gathering of under-fives will be told. "If you eat all these healthy foods, you are going to grow up to be big and strong." The creator of the White House kitchen garden will flex her famously elegant arms, and add: "Just like me!"

Sesame Street has won over a hundred Emmys and has been broadcast in roughly 150 countries. It retains an uncanny ability to both reflect the times, and provide a public service: songs and storytelling to educate its young viewers.

It has at times boasted a distinctly subversive edge, not lost on older viewers. The coming season, for example, features a parody of the modish TV drama series Mad Men called Muppet Men, in which the characters create adverts prompting emotions; happy, mad, sad.

Conservative bloggers were moved to outrage this week after it emerged that one episode will see a puppet criticise Rupert Murdoch's "Pox news".

In a way, it was ever thus. When Sesame Street was first developed, in the late 1960s, creators wanted to revolutionise children's television then dominated by commercially-driven cartoons.

Joan Ganz Cooney, the new show's executive director, stung by the discovery that cartoonscontained an average of 20 violent episodes an hour, was determined Sesame Street would be different. It was funded by a non-profit organisation called the Children's Television Workshop and the format developed by teams of educationalists and child behavioural specialists. The result, tested on hundreds of children in New York, was an hour long. It had five human hosts, alongside Jim Henson's Muppets, role-play, games, music, short films, cartoons and catchy jingles. Within a week, the public broadcaster PBS had a number one hit on its hands. Big Bird made the cover of Time in 1970. Kermit and Elmo spawned ranges of toys, books, and spin-off shows, inserting themselves into the childhood of 40 years worth of American youngsters.

In recent years Sesame Street has faced challenges. It can sometimes seem at odds with the era of political correctness. The Cookie Monster has been accused of promoting obesity and sponsorship by McDonald's was drew wide criticism. The show still attracts big name guest-stars but is up against competition from newer forms of entertainment. Even the programme's core values have changed. In 1970 it taught racial tolerance, now young viewers hear about the environment or healthy food. In an episode of the new series a child talks about her mother's yoga class. "I love yoga," she announces. "When I grow up, I want to be a yoga teacher."

But the search engine Google included "doodles" of Sesame Street characters on its homepage this week. Proof, perhaps, that in the internet era, the show has what it takes to remain an essential part of the American childhood for decades to come.

Famous faces on their furry friends

MICHELLE OBAMA "I never thought I'd be on Sesame Street with Elmo and Big Bird... It's probably the best thing I've done at the White House."

JAMES BLUNT "I always wanted to be a Muppet. So when Sesame Street approached me, I thought: 'I'm going to be on this!' It's pretty incredible stuff."

RICKY GERVAIS "You know you've made it when you get asked to do Sesame Street or sing with a little furry puppet. It's quite weird in a funny way."

KOFI ANNAN "Elmo and his friends, they tell it straight... Keep it simple and it brings you back to earth. I think that is very important, we all need that."

Independent Comment
blog comments powered by Disqus

Day In a Page

Eat it don't tweet it: Do table manners still matter?

Eat it don't tweet it: Do table manners still matter?

In the technological age, modern dining etiquette is about so much more than just keeping your elbows off the table.
The 10 best knife sets

The 10 best knife sets

From blades inspired by Japanese master sword craftsmen to ceramic blades that feel as light as a feather
Once a Redgrave: Joely Richardson on playing the role made famous by her mother and sister

Once a Redgrave: Joely Richardson

The actress discusses playing a role made famous by her mother and sister
The growth industry: Veg boxes have gone from a niche product for worthies to a foodies' essential

The growth industry: Veg boxes

Vegetable boxes have gone from a niche product for worthies to a foodies' essential
RIBA's latest exhibition charts the changing face of the British home

Changing face of the British home

Oliver Bennett explores the Royal Institute of British Architects’ latest exhibition
First Night: In the Land of Blood and Honey, Berlin Film Festival

First Night: In the Land of Blood and Honey

Courage under fire! Jolie's debut is not for faint-hearted
The XX files: The hunt for victims of Guatemala's 36-year war

The XX files

The hunt for victims of Guatemala's 36-year war
Rein man: did Dustin Hoffman harm horses in his new drama?

Did Dustin Hoffman harm horses in his new drama?

Big-budget HBO series targeted by campaigners after two star performers had to be put down
How the FA can win with Harry's game

How the FA can win with Harry's game

Even an initial part-time role up to Euro 2012 would work, while England could be set free by Redknapp
James Lawton: Blame for this awful mess lies squarely with Capello

James Lawton

Blame for this awful mess lies squarely with Capello
Chris Ashton: Not so flash but still keen to make a splash in Rome

Chris Ashton interview

Not so flash but still keen to make a splash in Rome
London Eye: She's buddies with Bolt but this golden girl revels in anonymity

Simon Turnbull's London Eye

Jamaica's Trecia Smith is buddies with Bolt but this golden girl revels in anonymity
The data goldmine: Why forgetting to log out can cost you dearly

Data goldmine: Have you forgotten to log out?

David Crookes finds out how much stolen Twitter accounts, hacked eBay pages and more are really worth.
The 10 best free games

The 10 best free games

From The Secret of Grisly Manor to Words With Friends...
Fear and loathing in London: The Death of Klinghoffer is staged in the capital for the first time

Fear and loathing in London: The Death of Klinghoffer

The ENO is staging the controversial opera in the capital for the first time