Al Wilson: Expressive singer of 'The Snake'

News in pictures
News in pictures
On Facebook
From the blogs

More than half of Afghanistan’s families live in extreme poverty

Leila is watching her baby intently, as his mouth moves trying to swallow the small blob of yellow p...

Time for a new approach to alcohol

Ambulances were called and three drunk teenagers were brought to my care. One was so drunk we had to...

Bahrain: One year on

I am used to endless lies and criticism from the BNP and its favourite blogster, as well as Islamist...

Paul Volcker stands tall against the banking lobby

Why is Europe, which likes to present itself as an opponent of speculative "Anglo-Saxon" finance, li...

"The Snake" was a slithering slice of R&B by the soul singer Al Wilson. Written by Oscar Brown Jnr and originally released in the United States in 1968, the catchy song became a Mod and Northern Soul favourite and belatedly made the British charts in 1975.

Wilson was a class act, an expressive and emotional vocalist in the Johnny Mathis and Lou Rawls mould. He also had US hits with the singles "La La Peace Song" in 1973, "I've Got a Feeling (We'll Be Seeing Each Other Again)" in 1976 and, a number one, the sophisticated, string-laden "Show and Tell" in 1974.

Born in Meridian, Mississippi, in 1939, Wilson sang with his church choir as a boy. After moving to California in his teens, he spent two years in the Navy, joined a group on the base, and came out determined to make it as a musician and singer. He had a succession of odd jobs and became a member of the Jewels, a vocal group who as the Rollers scored a small hit with "The Continental Walk" in 1961.

In 1966, Wilson met the manager Marc Gordon, who brought him to the attention of the musician Johnny Rivers. Rivers had just started Soul City Records and promptly signed Wilson, who instantly made his mark with a version of the Jimmy Webb composition "Do What You Gotta Do" and the album Searching For the Dolphins in 1968.

After charting with "The Snake", Wilson repaid the favour by covering the Rivers song "Poor Side of Town" and also had a minor hit with a version of Creedence Clearwater Revival's "Lodi" in 1969, before moving to Gordon's newly launched Rocky Road label.

In 1973, Wilson teamed up with the writer and producer Jerry Fuller who had originally written "Show and Tell" for Mathis the previous year, and also recorded the song himself. Wilson declined to listen to both versions and instead asked Fuller to play him the romantic ballad on an acoustic guitar. He then did his own take at the end of a three-hour session ostensibly arranged to record "Queen of the Ghetto", also with Fuller producing. Although it was earmarked as the B side, "Show and Tell" created such a sensation on radio that it became the A side. Issued in October 1973, the song took over three months to reach the top of the US charts in January 1974 and sold close to two million copies. It has become a soul standard, with covers by artists including Peabo Bryson.

Wilson's follow-up, "Touch and Go", also penned by Fuller, wasn't as successful, though the title track of the La La Peace Song album made the US Top 30 in 1974. Rocky Road folded and the singer subsequently released "Baby I Want Your Body" and "I've Got a Feeling (We'll Be Seeing Each Other Again)" on Playboy Records in 1976.

Wilson re-recorded several of his classics for the album Spice of Life in 2001.

Pierre Perrone

Allen Wilson, singer and songwriter: born Meridian, Mississippi 19 June 1939; married (one son, two daughters); died Fontana, California 21 April 2008.

Independent Comment
blog comments powered by Disqus
Career Services

Day In a Page

How an abortion divided America

How an abortion divided America

Single mother who took a pill to end her pregnancy is now fighting a landmark prosecution in a conservative state
Can you master a language in a weekend?

Can you master a language in a weekend?

Ed Cooke insists he can use his techniques as a memory expert to help novices learn even the hardest tongues.
The 10 best heaters

The 10 best heaters

From the DeLonghi Retro Fan Heater to the Dimplex MicroFire
Coming soon to a shelf near you: The publishing industry has gone mad for film-style trailers

Coming soon to a shelf near you

The publishing industry has gone mad for film-style trailers
Mad, bad and delightful to know: How Lord Byron became a cultural superstar

How Lord Byron became a cultural superstar

As the poet takes centre stage in the West End, Boyd Tonkin looks into the life of the outspoken champion of the poor
Did they all live happily ever after? That's up to you...

Did they all live happily ever after? That's up to you...

New digital novel will overturn centuries of literary tradition by allowing readers to choose how they would like story to end
How to look good for less – Primark in copycat row

How to look good for less – Primark in copycat row

With London Fashion Week starting tomorrow, designers are closeted in studios putting finishing touches to their collections
James Lawton: Arsène and Arsenal are living in the past

James Lawton

Arsène and Arsenal are living in the past
How Docherty's resurgent Reds beat Dutch greats

How Docherty's resurgent Reds beat Dutch greats

United have met Ajax only once before in Europe, in 1976. The key performers recall an electric occasion
Civil war at Ajax

Civil war at Ajax

A rift between two club legends has torn the Dutch giants apart
Lewis Moody: For an idea of where England are headed, look at Wales now

Lewis Moody column

For an idea of where England are headed, look at Wales now
Geoff Toovey: Little gem with huge incentive to become king of the world

Geoff Toovey interview

Little gem with huge incentive to become king of the world
Picture preview: Portrait of London

Portrait of London

Picture preview
No secularism please, we're British

No secularism please, we're British

Arguments about the role of religion in national life have recently acquired a new urgency
Harold Tillman: 'Chinese tourists can save the high street – if we let them'

Harold Tillman interview

'Chinese tourists can save the high street – if we let them'