Frances Dee

Wholesome leading lady of the Thirties and Forties

Frances Dee played leading lady to many of the top male stars of the Thirties and Forties, including Gary Cooper, Ronald Colman and John Wayne. Her roles ranged from Meg in
Little Women to the haunted heroine of the cult Val Lewton production
I Walked With a Zombie, and, though never quite a top-ranking star, she had a serene, wholesome appeal that made her a believable and sometimes touching heroine.



Jean Dee (Frances Dee), actress: born Los Angeles 26 November 1907; married 1933 Joel McCrea (died 1990; three sons); died Norwalk, Connecticut 6 March 2004.



Frances Dee played leading lady to many of the top male stars of the Thirties and Forties, including Gary Cooper, Ronald Colman and John Wayne. Her roles ranged from Meg in Little Women to the haunted heroine of the cult Val Lewton production I Walked With a Zombie, and, though never quite a top-ranking star, she had a serene, wholesome appeal that made her a believable and sometimes touching heroine.

The critic James Agee said she was "one of the very few women in movies who had a face . . . and always used this translucent face with delicate and exciting talent". A winsome brunette, whose suitors included the writer/director Joseph Mankiewicz, she was married for 57 years to one of her leading men, Joel McCrea.

The daughter of a civil engineer, she was born Jean Dee in Los Angeles, all reference books say in 1907, though her family aver it was 1909; and was educated at the University of Chicago, where her success in college plays prompted her to journey to Hollywood in the hope that the new sound era had created a need for performers who could handle dialogue:

When I dropped out to go to Hollywood, my father gave me an ultimatum. He told me that I had a year to find something more reliable in the picture business than extra work or else I had to come back.

As a contract player at Paramount, she was an extra in such films as Words and Music (1929), Follow Thru (1930), Manslaughter (1930) and Monte Carlo (1930). Then "almost a year to the day after my father's ultimatum" she was spotted in the studio commissary by Maurice Chevalier. Lillian Roth, scheduled to play his leading lady in Playboy of Paris (1930), which was about to start shooting, had been forced to drop out due to commitments in New York. Impressed by Dee's fresh quality and beauty, Chevalier suggested that she be tested for the role.

Playboy of Paris, a musical remake of Max Linder's silent comedy Le Petit Café (1920), featured Dee as a young girl who falls in love with a waiter (Chevalier) in her father's café. When, having inherited a fortune, he samples the nocturnal delights of Paris, she jealously pursues him and gets into a cat-fight with his gold-digging girlfriend. The realisation that she is his true love leads to Chevalier's rendition of the hit song "My Ideal".

Dee then starred with Phillips Holmes and Sylvia Sidney in Josef von Sternberg's An American Tragedy (1931), based on Theodore Dreiser's novel. The story of a young social climber who murders his pregnant girlfriend when he falls in love with the socialite daughter of his employer, it proved too sordid for popular acceptance (and was banned in Britain), but Dee touchingly conveyed her hopeless love in the role of the socialite later played by Elizabeth Taylor in George Stevens's 1951 version of the same story, A Place in the Sun.

Joseph Mankiewicz was one of the writers of June Moon (1931), adapted from the Broadway comedy by Ring Lardner and George S. Kaufman, in which Dee was the supportive girl-friend of a small-town simpleton (Jack Oakie) who travels to New York with aspirations to be a song lyricist. Mankiewicz began a romance with Dee, who also starred in This Reckless Age (1932), scripted by him, as the spoiled flapper daughter of self-sacrificing parents.

Making five or six films a year at this time, she starred in such vehicles as William Wellman's Love is a Racket (1932), as a flighty actress loved by a reporter (Douglas Fairbanks Jnr), the omnibus film If I Had a Million (1932), as the wife of a condemned man ironically unable to save himself from the electric chair despite receiving a million dollars, King of the Jungle (1933), in which she falls in love with, and teaches English to, a primitive man (Buster Crabbe) raised by lions in Africa, and George Cukor's version of Little Women (1933), in which she was sensible Meg to Katharine Hepburn's Jo, Joan Bennett's Amy and Jean Parker's Beth.

Cukor later wanted Dee to play Melanie in Gone With the Wind, but the producer David O. Selznick overruled him, allegedly because he considered her too beautiful and liable to overshadow his Scarlett (Vivien Leigh).

One of Dee's more notable roles was in a gangster movie, Rowland Brown's Blood Money (1933), that was a lost film for nearly 40 years before resurfacing to be hailed as a 66-minute gem. Cast against type, Dee played a thrill-seeking rich girl, described by the actress herself as "a masochistic nymphomaniacal kleptomaniac".

She was then fatefully cast opposite Joel McCrea in an adaptation of the Broadway drama of possessive motherhood, The Silver Cord (1933). Directed by John Cromwell, the gripping tale featured Laura Hope Crews as the tenacious mother with two sons. A married one (McCrea) has a wife (Irene Dunne) who is strong enough to wrench him from his mother's machinations (including a fake heart attack). The younger son (Eric Linden) is more susceptible to his mother's tricks, and Dee was extremely touching as his fiancée who finds herself powerless in the struggle and is ultimately abandoned.

Before she started the film, Dee had been enjoying a long-term affair with Mankiewicz, and the couple had planned a summer wedding with a honeymoon tour of New England already mapped out. When Mankiewicz learned that Dee had become engaged to McCrea he was hospitalised with a partial nervous breakdown. Later he claimed that Dee was "the love of my life", and friends said that the incident was to trigger the pattern that the director later followed of making sure that he was the first to end relationships (as he did with Judy Garland, Linda Darnell and others).

David O. Selznick stated that Dee told him McCrea had made her realise that her attraction to Mankiewicz was purely physical, while McCrea appealed to her intellectually. Married in October 1933, the couple settled on McCrea's ranch in Ventura County, California. Their first of three sons, Jody (later to become an actor), was born the following year.

Dee's other films included the lively Headline Shooter (1933), in which she was the girlfriend of an ambitious newspaper photographer, and John Cromwell's Of Human Bondage (1934), in which she played the girl who finally wins Leslie Howard after his infatuation with a destructive waitress (Bette Davis) ends. She was top-billed in Finishing School (1934) as an unhappy rich girl, but the film was stolen by Ginger Rogers as the school's prime rebel.

Rouben Mamoulian's Becky Sharp (1936), based on Thackeray's Vanity Fair, was the first feature film in three-strip Technicolor. Miriam Hopkins played the eponymous gold-digger, with Dee as her friend Amelia Sedle. She had one of her most rewarding roles in William Wyler's comedy The Gay Deception (1936), in which she played an office worker who wins a modest fortune in a lottery and splurges on a suite in a lavish New York hotel where she meets a prince (Francis Lederer) posing as a bellboy. She would always cite The Gay Deception as her favourite film.

In Henry Hathaway's popular seafaring tale Souls at Sea (1937), she starred alongside Gary Cooper and George Raft, and she co-starred with McCrea again in Frank Lloyd's Wells Fargo (1937). In this ambitious history of the express company, McCrea played a loyal employee whose marriage breaks up when he and his wife (Dee) find themselves sympathising with opposite sides during the Civil War. In Lloyd's If I Were King (1937), a romantic swashbuckler set in 15th-century France, Dee was the Queen's lady-in-waiting who is wooed by the poet François Villon (Ronald Colman).

Around this time Dee, who now had two sons, decided to limit her films in order to give more time to her family. McCrea said, "There are four of us now. Frances has deliberately cut and maybe weakened her career."

She worked with the director John Cromwell again on the anti-Nazi movie So Ends Our Night (1941) as the wife of an Austrian refugee (Fredric March). The critic Pauline Kael described a close-up of Dee's face, as she sees but cannot speak to her fugitive husband, as comparable to that of Garbo at the end of Queen Christina.

I Walked With a Zombie (1943) was a B movie, but is regarded now as highly as any of Dee's major films. Produced by Val Lewton and directed by Jacques Tourneur, it was a chillingly atmospheric tale of a nurse (Dee) who goes to the West Indies to look after a catatonic patient and encounters rampant voodooism. In the film's most celebrated sequence, Dee takes her mute patient on a prolonged and haunting walk through the cane fields, punctuated with native chants and shadowy low-key photography, to attend a voodoo ceremony. "People think of I Walked With a Zombie as a scary film", said Dee,

and it is. But it was also scary to be in it. When I first read the script I couldn't imagine anyone ever liking the movie. Yet, thanks to Lewton and Tourneur, it turned out very well.

In 1946 Dee made her Broadway début in the drama The Secret Room, directed by Moss Hart, but it ran for only 21 performances. On screen she was one of the women exploited by the unscrupulous hero (George Sanders) in The Private Affairs of Bel Ami (1947), and she starred with McCrea for the final time in Four Faces West (1948), an unusually gentle western in which not a shot is fired.

She was a schoolteacher who comforts Barry Sullivan when he separates from his wife (Bette Davis) in Payment on Demand (1950), and had her last role in the family film Gypsy Colt (1954), a loose adaptation of Lassie, Come Home with the homesick animal a horse instead of a dog.

In 1955, the year her third son was born, she announced her retirement, and the McCreas were considered one of the happiest families in Hollywood until 1966, when they announced the startling news that they were separating. Dee proclaimed that she found ranch life unfulfilling, and McCrea actually filed for divorce, but the couple reconciled and their union endured until McCrea's death in 1990.

Over the years, McCrea expanded his ranch and bought up tracts of land in California, Nevada and New Mexico that made the couple one of the wealthiest in California, but after his death some disastrous speculation reduced the fortune considerably.

In recent years, Dee occasionally attended film conventions and tributes, such as a month-long festival of her films held in Hawthorne, New Jersey, in 1999. She had also been collaborating on a biography with the writer Andy Wentink.

Tom Vallance

Arts and Entertainment
books
Voices
Caustic she may be, but Joan Rivers is a feminist hero, whether she likes it or not
voicesShe's an inspiration, whether she likes it or not, says Ellen E Jones
Arts and Entertainment
The Doctor and the Dalek meet
tvReview: Doctor Who Into the Dalek more than compensated for last week's nonsensical offering
Sport
Diego Costa
footballEverton 3 Chelsea 6: Diego Costa double has manager purring
PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
News
ebooksAn evocation of the conflict through the eyes of those who lived through it
Life and Style
3D printed bump keys can access almost any lock
techSoftware needs photo of lock and not much more
Arts and Entertainment
The 'three chords and the truth gal' performing at the Cornbury Music Festival, Oxford, earlier this summer
music... so how did she become country music's hottest new star?
Life and Style
The spy mistress-general: A lecturer in nutritional therapy in her modern life, Heather Rosa favours a Byzantine look topped off with a squid and a schooner
fashionEurope's biggest steampunk convention heads to Lincoln
News
Dr Alice Roberts in front of a
peopleAlice Roberts talks about her new book on evolution - and why her early TV work drew flak from (mostly male) colleagues
News
i100
Arts and Entertainment
Star turns: Montacute House
tv
News
i100Steve Carell selling chicken, Tina Fey selling saving accounts and Steve Colbert selling, um...
Arts and Entertainment
Unsettling perspective: Iraq gave Turner a subject and a voice (stock photo)
booksBrian Turner's new book goes back to the bloody battles he fought in Iraq
News
The Digicub app, for young fans
advertisingNSPCC 'extremely concerned'
News
i100
Arts and Entertainment
Some of the key words and phrases to remember
booksA user's guide to weasel words
Independent
Travel Shop
the manor
Up to 70% off luxury travel
on city breaks Find out more
santorini
Up to 70% off luxury travel
on chic beach resorts Find out more
sardina foodie
Up to 70% off luxury travel
on country retreats Find out more
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating
and  

By clicking 'Search' you
are agreeing to our
Terms of Use.

iJobs Job Widget
iJobs General

Senior Data Scientist (Data Mining, RSPSS, R, AI, CPLEX, SQL)

£60000 - £70000 per annum + Benefits + Bonus: Harrington Starr: Senior Data Sc...

Law Costs

Highly Attractive Salary: Austen Lloyd: BRISTOL - This is a very unusual law c...

Junior VB.NET Application Developer (ASP.NET, SQL, Graduate)

£28000 - £30000 per annum + Benefits + Bonus: Harrington Starr: Junior VB.NET ...

C# .NET Web Developer (ASP.NET, JavaScript, jQuery, XML, XLST)

£40000 - £50000 per annum + Benefits + Bonus: Harrington Starr: C# .NET Web De...

Day In a Page

The other Mugabe who is lining up for the Zimbabwean presidency

The other Mugabe who is lining up for the Zimbabwean presidency

Wife of President Robert Mugabe appears to have her sights set on succeeding her husband
The model of a gadget launch: Cultivate an atmosphere of mystery and excitement to sell stuff people didn't realise they needed

The model of a gadget launch

Cultivate an atmosphere of mystery and excitement to sell stuff people didn't realise they needed
Alice Roberts: She's done pretty well, for a boffin without a beard

She's done pretty well, for a boffin without a beard

Alice Roberts talks about her new book on evolution - and why her early TV work drew flak from (mostly male) colleagues
Get well soon, Joan Rivers - an inspiration, whether she likes it or not

Get well soon, Joan Rivers

She is awful. But she's also wonderful, not in spite of but because of the fact she's forever saying appalling things, argues Ellen E Jones
Doctor Who Into the Dalek review: A classic sci-fi adventure with all the spectacle of a blockbuster

A fresh take on an old foe

Doctor Who Into the Dalek more than compensated for last week's nonsensical offering
Fashion walks away from the celebrity runway show

Fashion walks away from the celebrity runway show

As the collections start, fashion editor Alexander Fury finds video and the internet are proving more attractive
Meet the stars of TV's Wolf Hall... and it's not the cast of the Tudor trilogy

Meet the stars of TV's Wolf Hall...

... and it's not the cast of the Tudor trilogy
Weekend at the Asylum: Europe's biggest steampunk convention heads to Lincoln

Europe's biggest steampunk convention

Jake Wallis Simons discovers how Victorian ray guns and the martial art of biscuit dunking are precisely what the 21st century needs
Don't swallow the tripe – a user's guide to weasel words

Don't swallow the tripe – a user's guide to weasel words

Lying is dangerous and unnecessary. A new book explains the strategies needed to avoid it. John Rentoul on the art of 'uncommunication'
Daddy, who was Richard Attenborough? Was the beloved thespian the last of the cross-generation stars?

Daddy, who was Richard Attenborough?

The atomisation of culture means that few of those we regard as stars are universally loved any more, says DJ Taylor
She's dark, sarcastic, and bashes life in Nowheresville ... so how did Kacey Musgraves become country music's hottest new star?

Kacey Musgraves: Nashville's hottest new star

The singer has two Grammys for her first album under her belt and her celebrity fans include Willie Nelson, Ryan Adams and Katy Perry
American soldier-poet Brian Turner reveals the enduring turmoil that inspired his memoir

Soldier-poet Brian Turner on his new memoir

James Kidd meets the prize-winning writer, whose new memoir takes him back to the bloody battles he fought in Iraq
Aston Villa vs Hull match preview: Villa were not surprised that Ron Vlaar was a World Cup star

Villa were not surprised that Vlaar was a World Cup star

Andi Weimann reveals just how good his Dutch teammate really is
Bill Granger recipes: Our chef ekes out his holiday in Italy with divine, simple salads

Bill Granger's simple Italian salads

Our chef presents his own version of Italian dishes, taking in the flavours and produce that inspired him while he was in the country
The Last Word: Tumbleweed through deserted stands and suites at Wembley

The Last Word: Tumbleweed through deserted stands and suites at Wembley

If supporters begin to close bank accounts, switch broadband suppliers or shun satellite sales, their voices will be heard. It’s time for revolution