Steve Gerber: Marvel comic-book writer

News in pictures
News in pictures
On Facebook
From the blogs

GCSEs are a pointless waste of time

A few facts. Last year almost 70% of 16 year olds achieved at least 5 GCSE passes with grades A*-C. ...

Asylum seekers: When the questions tell us so much more than the answers

For the last four years I've been paying my karmic dues (I would say "contributing to the big societ...

Thanks to The Sun, for enriching each of our lives

Those at the super-soaraway Sun are, yet again, making outlandish claims that they’ve changed the wo...

Ones to watch: Aiden Grimshaw to Hey Sholay

With so much new music coming out it’s difficult to keep track of what’s out there. It’s a lucky dip...

Though originally only a cameo figure in a 1970s horror title, Marvel Comics' Howard the Duck went on to a high-profile comic-book career as a wise-cracking, cigar-chewing character. His range and appeal transcended the traditional audience for four-colour superhero fare and contributed to the opening up of the comics medium to a more adult constituency.

Howard's creator, Steve Gerber, was part of the 1960s comic-book fandom that supplied many of the following decade's industry leaders. He was friends with Roy Thomas (editor of the seminal fanzine Alter Ego, and future Marvel Comics editor-in-chief) and produced his own mimeographed publication Headline. But while many of his contemporaries took up employment with the big two publishers, Marvel and DC, Gerber, armed with a communications degree from St Louis University, joined a copywriting agency – only to find it stifling his creativity.

Thomas recruited him to Marvel in 1972 and Gerber started scripting some of their second-string characters. His sense of the absurd, however, soon lifted him on to The Defenders, about an ill-matched team of dysfunctional superheroes. There, Gerber's knack for juxtaposing the bizarre with the flat-out ridiculous produced a storyline featuring an "Elf with a gun" who assassinated minor characters in a sequence which almost certainly represented Gerber's view of the anarchic nature of existence.

It was while scripting the horror comic Man-Thing that Gerber devised the character that best articulated his own skewed view of the human condition, Howard the Duck. "The Duck" was supposedly a three-dimensional projection from an alternate reality; Gerber creating him whilst he worked in a "trance-like state" attempting to block out the repetitive sounds of a stereo. "The next thing I knew, a cartoon duck was waddling out of the Man-Thing's swamp." Howard survived only two appearances before seemingly being killed off, but such was the clamour from readers that he was awarded his own series.

Howard the Duck ran for 27 issues, becoming akin to a state-of-the-nation road movie, with Gerber describing it as "the living embodiment of all that is querulous, opinionated and uncool". Howard and his human companion, Beverly, battled their way through a myriad jobs, with Howard even running for President of the United States. It fought against the dominance of the superhero, years before Alan Moore and Frank Miller arrived to reconstruct the genre with Watchmen and The Dark Knight Returns.

Gerber was a groundbreaker in this regeneration of the comics industry, through Howard and also the short-lived series Omega the Unknown (written with his girlfriend Mary Skrenes). In the latter, Gerber explored the disconnected relationship between a mysterious superhero and a young boy in Hell's Kitchen, New York. By presenting his concept in a deliberately enigmatic way, Gerber's work prefigured the multi-layered approach that Moore particularly would bring to the comics medium.

Howard proved to be a one-writer character, needing Gerber's own voice to provide the appropriate tone. At this time, however, there was no recognition of creator-rights. In 1978 Gerber parted company with Marvel acrimoniously and sued for control of his creation.

Marvel was already in litigation with the artist Jack Kirby over the ownership of characters such as The Fantastic Four and sensing common cause, Gerber and Kirby produced the comic book Destroyer Duck to help cover their legal costs. Gerber settled out of court, though the agreement failed to deliver him copyright on the character. His involvement with the 1986 film version of Howard the Duck was minimal and proved another example of others failing to convey his voice. Instead, George Lucas delivered one of Hollywood's legendary turkeys. "What can I say?" Gerber commented. "It sucks."

By then he had left the comics industry and was scripting animated television shows such as GI Joe and Dungeons & Dragons. But comics remained in his blood and he wrote the highly rated graphic novel Stewart the Rat (1980), the sex-and-violence Void Indigo (1983), and even returned to Marvel for a new Howard series in 2001.

Ian Abrahams

Stephen Ross Gerber, comic-book writer: born St Louis, Missouri 20 September 1947; married Margo MacLeod (one daughter); died Las Vegas 10 February 2008.

Independent Comment
blog comments powered by Disqus
Career Services

Day In a Page

'I may be deaf, but you can still talk to me'

'I may be deaf, but you can still talk to me'

Being a teenager is hard enough – for those with hearing loss, it can be even more complicated
A right royal trip down the river

A right royal trip down the river

A new exhibition celebrates the glory days of London's mighty Thames
The 10 Best lawn mowers

The 10 Best lawn mowers

From petrol-fuelled to self-propelled
Every second counts

Why does life appear to speed up as we get older?

Matilda Battersby finds out how the clock plays tricks with our minds
Couture on the Croisette: Fashion hits

Couture on the Croisette

The best outfits from the 2012 Cannes Film Festival
Child of the revolution: the Burmese family that democracy brought back together

Home of the free

The Burmese family that democracy brought back together
Cannes review: Canine accolade and Hitler's return are high spots amid the gloom

Cannes review

Frocks, canine accolade and Hitler's return
Robert Fisk: The going price of getting away with murder... would $33m be enough?

The going price of getting away with murder

Robert Fisk: The long view
Principled Skinner rises above the fray

Principled Skinner rises above the fray

Andy McSmith meets Dennis Skinner
Patrick Cockburn: I fear this terrible massacre will be the beginning of a long civil war in Syria

Patrick Cockburn

I fear this terrible massacre will be the beginning of a long civil war in Syria
Hardeep Singh Kohli: For me, it is all about 'Gregory's Girl', a record of first love

Hardeep Singh Kohli

For me, it is all about 'Gregory's Girl', a record of first love
Christian Louboutin: 'I don't think comfort equals happiness'

Christian Louboutin interview

'I don't think comfort equals happiness'
Happy birthday, Hotel Babylon!

Happy birthday, Hotel Babylon!

Hollywood's home to the A-list celebrates 100 years of discreet luxury
Rupert Cornwell: Low-rise capital could finally reach for the sky

Rupert Cornwell: Out of America

Low-rise capital could finally reach for the sky
The secret life of the red carpet

The secret life of the red carpet

As Cannes reaches its climax with the Palme d'Or and the celebrities gather in London for the Baftas tonight, Kate Youde and Jack Dean investigate the real star of the show