Saturday 26 September 1992
M. Braun (Washington University), Slade School of Art, Sculpture; S. Bucking (SUNY/Empire State College), Trinity College, Cambridge, Classics; J. Burtness (Kansas State University), Leeds University, Textile Science; P. Chang (University of Southern California), tuition with Mr William Pleeth and Royal College of Music, cello; C. Decker (Yale University), Trinity College, Cambridge, English Literature; R. Follett (Washington University), Royal Holloway and Bedford New College, London University, History; D. Gast (Stetson University), Edinburgh University, Scottish Intellectual History; J. Hambrick (Eastman School of Music), Royal Academy of Music, flute; P. Harger (Johns Hopkins University), Wellcome/CRC Institute Cambridge, Developmental Biology; B. Johnson (College of William and Mary, Virginia), Linacre College, Oxford, Forestry; T. Knight (Washington and Lee University), University College, Oxford, History; A. Lofaso (University of Pennsylvania), Somerville College, Oxford, Law; M. Miller (Wheaton College), Darwin College, Cambridge, Developmental Economics; T. Oatley (Emory University), Royal Institute of International Affairs, Chatham House, International Politics; J. Onderdonk (New York University), British Library, Musicology; D. Page (Brandeis University), British Library, Music History; J. Preven (Harvard University), Trinity College, Cambridge, English Literature; M. Robinson (University of California Irvine), London Academy of Music and Dramatic Art, Acting; D. Routt (Ohio State University), Queens' College, Cambridge, History; R. Singh (Princeton University), Christ Church, Oxford, European Politics; K. Smith (Institute of Fine Arts, New York), University College London, Medieval English Art; K. Stack (Brown University), New College, Oxford, Philosophy; H. Thaggert (New York University), King's College, London, International Law; C. Waters (Harvard University), King's College, London, English Literature; B. Wyly (Yale University), Emmanuel College, Cambridge, English Literature.
Geoffrey Macnab does not like the comedian's big screen debut
Look beyond the usual shows for the best festive telly
The battle for control of Stieg Larsson's £30m legacy
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