Obituary: Joyce Leonard

Joyce Leonard, artist and teacher: born Johannesburg 29 June 1909; married 1942 David Davis (died 1981; one son); died Johannesburg 24 June 1993.

JOYCE LEONARD was the mentor of several generations of South African artists. Her ability to inspire and encourage creativity in others was an art-form in itself; ex-students and artist friends, now spread all over the world, still carry her influence.

Among her former students are Cecil Skotness, known for his woodcut prints with strong African imagery, Eduardo Villa, the abstract sculptor, and Deanna Petherbridge, an artist now based in London. Geoffrey Armstrong, the prolific abstract and figurative artist, now spends half his life in Britain and works on mural commissions. Paul Stopforth, one of the most political of Joyce Leonard's students, did work on the Biko inquest, and now lives in Boston, dealing with similar issues from the personal psychological point of view.

Leonard was born in Johannesburg, but trained in London, at the Royal College of Art, and returned for a period of painting during the late 1940s when she exhibited with the London Group. (Can it be true, as I remember her telling, that she had contrived to be locked into the Victoria and Albert Museum when she had nowhere to sleep?)

Joyce Leonard was a strong and stylish presence in an admittedly small but vigorous artistic community. The character of the Transvaal where she lived is harsher and more confrontational, in terms of art as much as politics, than the other areas of South Africa. Political tensions became an inspiration and a focus for South African artists of the past few decades, even more than they were a hindrance and source of limitation. Politics, particularly in the Transvaal, has energised art, theatre, literature, journalism.

This sort of energy sparked around the luncheon parties Joyce Leonard was famous for: at first in her beautiful farmhouse outside Johannesburg, an oasis in the midst of dust and aloes; later, when suburbia encroached and a highway bisected the farm, in a tiny bungalow on the edge of a steep cliff. The claustrophobia of a small cultural centre isolated from its neighbours in Africa and ostracised by most of the rest of the world created a pressure-cooker situation which forced artists into closer contact with themselves, their work and each other. This generated a somewhat Chekhovian atmosphere - a small group of intense people arguing out their ideas while outside the circle the real dramas were grinding to a conclusion. Leonard, with her clear, unambiguous perceptions, was often like the rudder in a storm, an unofficial arbiter and leader of opinion.

Her creative energy was channelled into her teaching, which took place in private studio visits as well as art classes - she was endlessly generous and supportive to her many painter friends - and her position as adviser to the buying committee of the Johannesburg Art Gallery. She guided and prodded this otherwise recalcitrant group into acquiring works that she believed in. She herself stopped painting in the 1950s because in her view she 'wasn't good enough'. A discreet painting of hers of a vase of flowers used to hang in a corner of the Johannesburg Art Gallery, an embarrassment to the artist.

Her creativity as a teacher never stopped developing. She is remembered by a colleague in the Fine Art Department of the University of Witwatersrand, Cecily Sash, as 'astonishingly open-minded but critical. Both as a teacher and friend she was generous in praise but ruthless in her rejection of the mediocre and safe. She expected one to confront the new, take risks, forgo the comfortable so that truly creative ideas could germinate and grow.'

To encourage this, she incorporated music, touch, and aspects of science into her drawing classes. Instead of conventional art jargon she used vocabulary you might expect in a poetry or literature class. She enjoyed teaching people who were outside the sometimes predictable confines of academic fine art - architecture students, design students, people who had never drawn before. Joyce Leonard acted as a catalyst, connecting people with each other, stirring up ideas and opening up areas of creativity in the minds of her friends and those she taught.

(Photograph omitted)

Start your day with The Independent, sign up for daily news emails
  • Get to the point
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating

By clicking 'Search' you
are agreeing to our
Terms of Use.

iJobs Job Widget
iJobs People

Recruitment Genius: Graduate Human Resource Officer and Executive Assistant

Negotiable: Recruitment Genius: This is an exciting opportunity to join one of...

Ashdown Group: HR Assistant (Events business) - Central Manchester - £20K

£18000 - £20000 per annum + Benefits: Ashdown Group: HR Assistant (Events busi...

Recruitment Genius: Project Engineer

Negotiable: Recruitment Genius: This privately-owned company designs and manuf...

Recruitment Genius: Human Resources Officer

£22000 - £25000 per annum: Recruitment Genius: An opportunity has arisen at th...

Day In a Page

Revealed: Why Mohammed Emwazi chose the 'safe option' of fighting for Isis, rather than following his friends to al-Shabaab in Somalia

Why Mohammed Emwazi chose Isis

His friends were betrayed and killed by al-Shabaab
'The solution can never be to impassively watch on while desperate people drown'
An open letter to David Cameron: Building fortress Europe has had deadly results

Open letter to David Cameron

Building the walls of fortress Europe has had deadly results
Tory candidates' tweets not as 'spontaneous' as they seem - you don't say!

You don't say!

Tory candidates' election tweets not as 'spontaneous' as they appear
Mubi: Netflix for people who want to stop just watching trash

So what is Mubi?

Netflix for people who want to stop just watching trash all the time
The impossible job: how to follow Kevin Spacey?

The hardest job in theatre?

How to follow Kevin Spacey
Armenian genocide: To continue to deny the truth of this mass human cruelty is close to a criminal lie

Armenian genocide and the 'good Turks'

To continue to deny the truth of this mass human cruelty is close to a criminal lie
Lou Reed: The truth about the singer's upbringing beyond the biographers' and memoirists' myths

'Lou needed care, but what he got was ECT'

The truth about the singer's upbringing beyond
Migrant boat disaster: This human tragedy has been brewing for four years and EU states can't say they were not warned

This human tragedy has been brewing for years

EU states can't say they were not warned
Women's sportswear: From tackling a marathon to a jog in the park, the right kit can help

Women's sportswear

From tackling a marathon to a jog in the park, the right kit can help
Hillary Clinton's outfits will be as important as her policies in her presidential bid

Clinton's clothes

Like it or not, her outfits will be as important as her policies
NHS struggling to monitor the safety and efficacy of its services outsourced to private providers

Who's monitoring the outsourced NHS services?

A report finds that private firms are not being properly assessed for their quality of care
Zac Goldsmith: 'I'll trigger a by-election over Heathrow'

Zac Goldsmith: 'I'll trigger a by-election over Heathrow'

The Tory MP said he did not want to stand again unless his party's manifesto ruled out a third runway. But he's doing so. Watch this space
How do Greek voters feel about Syriza's backtracking on its anti-austerity pledge?

How do Greeks feel about Syriza?

Five voters from different backgrounds tell us what they expect from Syriza's charismatic leader Alexis Tsipras
From Iraq to Libya and Syria: The wars that come back to haunt us

The wars that come back to haunt us

David Cameron should not escape blame for his role in conflicts that are still raging, argues Patrick Cockburn
Sam Baker and Lauren Laverne: Too busy to surf? Head to The Pool

Too busy to surf? Head to The Pool

A new website is trying to declutter the internet to help busy women. Holly Williams meets the founders