Not long after the end of the Great War, Margaret and her elder sister Grace accompanied their father on a tour of the war cemeteries in Belgium and northern France, which left her with an indelible memory of the cost and the pity of war.
Very usefully for a budding historian, her background furnished her with a wealth of helpful introductions, amongst others to prominent personages in the Saar. After Lady Margaret Hall, Oxford, she did a doctorate at the London School of Economics on theregion. While she was there, gathering material for the book (The Saar, 1934) which she published in the run-up to the 1935 plebiscite, she described her discoveries and experiences in letters to her father. He found one such letter so striking that he sent it on to Sir John Simon (at that time Foreign Secretary).
It described how, although the Saarlanders had not yet formally voted to be re-united with Germany, they were already in the grip of National Socialist fervour; a group of Jewish boys, who could not of course join the recently founded local branch of theHitler Youth, had prevailed upon their mothers to make them imitation uniforms, and, proudly wearing these, carried out imitation Hitler Youth exercises in the sitting-room of one of their parents' houses. (The letter re-surfaced quite by chance one dark December afternoon in the 1960s when Margaret Lambert and I were working as usual on the German documents in her room overlooking the Thames by Waterloo: it was brought in for her to see by one of the Foreign Office "weeders".)
After her wartime work with the BBC (which, as she let fall only very much later, involved amongst other things the extraction of information from German POW generals in the course of chats over the teacups - Lambert spoke excellent German - in various country houses where these officers were detained), she became, first, an assistant editor on the British diplomatic documents and, subsequently, British editor-in-chief of the captured German diplomatic documents, retaining her connection with this grandly conceived international project until 1983. Her editorial work was interspersed with periods of university teaching.
Both as editor and teacher, Margaret Lambert displayed qualities of a very high order. She possessed great patience, alike in teasing out the puzzles posed by vast quantities of documents, not originally stored up for the benefit of the historian and rendered harder to handle by the vicissitudes of war, and in encouraging her students to surpass what they thought were their own limits. Her remarkable memory permitted her to call on great reserves of knowledge at will in order to elucidate knotty points,whilst at the same time she brought to the work of editing a highly refined judgement.
The process of selecting material for publication from the many tons of papers which had been flown to Britain for greater safety at the time of the blockade of Berlin and the resultant airlift did not unfold entirely without difficulty. As may be imagined, there were occasions (albeit creditably few) when the thought was mooted that this or that document might be better not made public. However, with endless tact and negotiating skill, and calling once again when necessary on her old connections, Lambert succeeded in ensuring that no gaps were left in the published record.
With her lifelong friend the artist Enid Marx, she shared a wide-ranging and well-informed love of English popular art; it was one of the ladies' great pleasures to go foraging round the countryside for old inn-signs, inscriptions on tombstones, pieces of regional pottery, gingerbread moulds, in short, for examples of the products of scores of traditional crafts which their knowledgeable eye enabled them to spot. They maintained a network of contacts with continental and American collectors, so that their appreciation of an English piece was heightened by their being able to compare it with its European or American equivalent, and collaborated in two accounts of the subject, English Popular and Traditional Art (1946) and English Popular Art (1952).
Whether as a historian, in which capacity she firmly and unswervingly sought to lay bare truth, as a cherisher of the arts and crafts of the (usually nameless) "humbler people", as a teacher, or as a practitioner of the art of friendship, Margaret Lambert added not inconsiderably to the sum of civilisation.
Margaret Barbara Lambert, historian: born 7 November 1906; Assistant Editor, British Documents on Foreign Policy 1946-50; Lecturer in Modern European History, University College of the South-West (Exeter) 1950-51; British Editor-in-Chief, German Foreign Office Documents 1951-83; Lecturer in Modern European History, St Andrews University 1956-60; CMG 1965; died London 22 January 1995.Reuse content