Tracey Emin

One of Britain’s most acclaimed and successful contemporary artists, Tracey Emin's works include the installation pieces My Bed and Everyone I Have Ever Slept With 1963-1995. She has also written a memoir, Strangeland, and directed a feature film, Top Spot. Regardless of the medium she works in, she draws heavily from personal experience for her work.

Tracey Emin: 'The police kept asking me, how did you get that line on your face?'

My Life In A Column

Recently by Tracey Emin

Tracey Emin: 'Eventually we ripped up the porno magazine into tiny pieces and let it blow away like confetti'

Thursday, 13 November 2008

My Life In A Column

Tracey Emin: 'I know there's another world out there. I can't prove it. But I know it'

Thursday, 6 November 2008

My Life In A Column: 'I should put aside more time to think about the people who are dead that I love. To conjure their voice'

Tracey Emin: 'The art market is on a knife edge – waiting to see what happens'

Thursday, 16 October 2008

I lay in bed, my eyes burning from complete exhaustion. It was nearly eight o'clock and my day had begun before I wanted it to. I rolled over and I could feel my heart pounding against the mattress, as though it was going to smash right through it, on to the floorboards and dangle down into the room below.