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Danny (Slumdog Millionaire) Boyle directs the true story of Aron Ralston (James Franco) – a peppy climber who was pinned to the bottom of a canyon by a boulder – with all of his usual hyperactive verve. And that's the problem.
Hilary Swank stars in this true-life drama as Betty Anne Waters, a high-school dropout and a mother of two who decides to qualify as a lawyer, just so that she can overturn her brother's murder conviction.
Darren Aronofsky's exotic mix of backstage soap opera and gothic horror movie is tosh, really: being cast as the lead in Swan Lake wouldn't turn anyone into a gibbering psycho, even someone as highly strung as Natalie Portman's fledgling ballerina.
Most movie stars wait for either an invitation to park their bottom on Oprah's sofa or the publication of a warts-and-all autobiography to share the details of their abusive childhood. But Tai is no ordinary movie star. For starters, she is an elephant.
After a confusing year, marked by uncertainty about both the financial and creative futures of their industry, Hollywood’s great and good must choose between the forces of tradition and modernity when they sit down to cast their votes for next month’s Academy Awards.
A limp romantic comedy that copies The Bourne Identity might sound like an ideal vehicle for, say, Gerard Butler and Kate Hudson.
This week's other TV spin-off is slightly better.
The glamorous blonde actress Gloria Stuart was a popular leading lady of the Thirties, starring in two classic horror films directed by James Whale, The Old Dark House and The Invisible Man, and playing romantic leads in two vehicles for the child-star Shirley Temple. She was also Dick Powell's love interest in the Busby Berkeley musical, Gold Diggers of 1935, and starred in several "B" movies.
The key to enjoying Avatar is to accept that it's a children's film – whatever its director might say.
The first few episodes of this dramedy about the kids in a US high-school "glee" club – and all the turmoil that involves – provided some of the best TV of the past few years.
The Booker Prize-winning novelist and sometime screenwriter, Ian McEwan, tells me he spent six months meticulously researching and writing a sequel to David Cronenberg film, 'The Fly', in 1995, which he considered his "best screenplay". 'Flies', (not to be mistaken with 1989's 'The Fly II') was to star Geena Davis, who featured opposite Jeff Goldblum in 'The Fly', and who owned the "fly concept" along with 20th Century Fox. McEwan says: "Our movie was going to begin with Geena Davis giving birth to twin boys, and it was written in a realistic mode. She fears her children will be deformed but she gives birth to two perfectly healthy babies. As they become teenagers, they become stranger and stranger, as teenagers do, and quite hyperactive. She has always worried that they inherited the (fly) gene. They become more manic, and one first becomes more fly like, then the other follows....It was my best screenplay... I really wanted this to have no foundation in anything other than genetics." There was a disagreement, leading the project to halt, he added. "I would like to see it made," he said.
Wes Anderson's adaptation of Roald Dahl's children's classic is, itself, rather fantastic.
Instead of bothering with a plot, the screenwriters of IA3 have devised enough fast and furious set pieces to furnish a videogame and a theme-park ride, and then glued them together with the pun-heavy babblings of a cast consisting almost entirely of wacky sidekicks.
Gavin Hood, the director of Tsotsi, revives Marvel Comics' X-Men franchise with this handsome yet redundant prequel.
Tormented opens with the funeral of a schoolboy who hanged himself following a bullying campaign, but it's by no means a po-faced issue drama: the dead boy is soon striking back at his persecutors as a James Corden-lookalike zombie.
This breezy comedy strolls through the happily uneventful married life of two Miami journalists, Owen Wilson and Jennifer Aniston.