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Friday 05 February 2010
Friday 11 December 2009
Kevin MacDonald recounts a transforming moment when, as a student at Oxford, he found himself sitting in front of a film made by his grandfather, Emeric Pressburger: The Life and Death of Colonel Blimp. The elderly Pressburger had just been admitted to an old people's home and although MacDonald shared a strong emotional bond with him, he had never much bothered with his films. Now he saw reflected for the first time the talents of an "extraordinary man" facing his last years alone.
Matt Damon: 'I have turned down scripts if the violence is gratuitous. I do believe it has an effect on people's behaviour'
Saturday 17 October 2009
Matt Damon is almost visibly shivering. He's turned his mind back to the beginning of the decade, to a time when his career was on the skids. Robert Redford's golfing saga The Legend of Bagger Vance and the Cormac McCarthy adaptation All The Pretty Horses, both of which cast Damon in the lead, had tanked. Holed up in Paris, he was on the fourth round of re-shoots for The Bourne Identity. "All the indicators were that that was going to be a turkey too," he says. Going through his mind was the simple rule of baseball: three strikes and you're out. "Nobody had offered me a job in about nine months."
Wednesday 12 August 2009
Friday 24 April 2009
The third annual High Tide theatre festival at Halesworth in Suffolk, which kicks off on 27 April for 14 days, is premiering three new plays that have been hand-picked and developed from over 650 scripts. The chosen writers – Lucy Caldwell for her second play Guardians, Jesse Weaver and Lydia Adetunji for their debut plays Muhmah and Fixer respectively – were paired up with young directors, designers and actors and given mentors to help them from the first draft through to finished, final productions.
Friday 26 September 2008
Tuesday 02 September 2008
Wednesday 09 July 2008
Wednesday 04 June 2008
Friday 02 May 2008
Wednesday 16 April 2008
Opera in London is too conservative compared to Berlin and Paris productions, and is stuck "in a bit of a box", the artistic director of the English National Opera says.
Wednesday 16 April 2008
For the artistic director of the English National Opera to lament the state of opera in London is a bit like the head of British Airways criticising the state of baggage handling at Terminal 5. If it isn't your fault, whose fault is it exactly?
Sunday 23 March 2008
Thursday 20 March 2008
I first encountered Anthony Minghella at the peak of his first career when he was writing Inspector Morse screenplays for the producers Chris Burt and Ted Childs, writes Dennis Firminger [further to the obituary by Geoffrey Macnab, 19 March]. I was location manager for the series.
Anthony Minghella: Oscar-winning director of 'The English Patient' who was unafraid to deal frankly with raw emotions
Wednesday 19 March 2008
Anthony Minghella made relatively few features and his career as a movie director lasted under two decades. None the less, he is likely to be remembered as a significant figure. Not only was he prepared to take on major literary novels like The English Patient and Cold Mountain, he was unafraid to deal frankly and without embarrassment or irony with raw emotions. Detractors may have called his approach novelettish and accused him of at least occasional mawkishness, but he was able to engage with audiences on a level that many, more timid, British directors of his era were not.
Scottish independence: English people overwhelmingly want Scotland to stay in the UK
Richard Dawkins on babies with Down Syndrome: 'Abort it and try again – it would be immoral to bring it into the world'
Isis threat: Cameron wants an alliance with Iran
Crisis? What crisis? A visiting US doctor gives the NHS a rave review
Michael Brown shooting: Chaos erupts on the streets of Ferguson after autopsy shows teenager was shot six times – twice in the head
Scottish Independence Referendum: Salmond described as 'arrogant, ambitious and dishonest' by Scottish women
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