Starring: Anne Hathaway, Jim Sturgess, Patricia Clarkson
Vintage prints of the stars of Hollywood's 'Golden Age' will be on display at the National Portrait Gallery from 7 July.
Does anyone actually want to look like Audrey Hepburn these days," I asked a colleague last week as yet another soon-to-be-published volume extolling the virtues of the actor's style – So Audrey: 59 Ways to Put a Little Hepburn in Your Step – landed on the fashion desk.
Dino De Laurentiis, the prolific Hollywood impresario who was behind more than 500 movies and left an indelible footprint on the way the industry makes and markets major films, has died. He was 91.
From Bardot's Breton tops to Barbarella's sci-fi chic, some fashion references can feel too familiar. Carola Long finds inspiration in a new volume of truly original images
Breakfast At Tiffany's star Audrey Hepburn was named the most beautiful woman of the past century today, beating stars such as Cheryl Cole and Angelina Jolie.
Hubert de Givenchy is one of the last great masters of haute couture. In a rare interview, he tells Carola Long about craftsmanship – and his muse, Audrey Hepburn
Audrey Hepburn's black Givenchy dress from Breakfast At Tiffany's is top of the frocks, a poll found today.
Sir Bernard Ashley was the husband and business partner of the fashion and design legend Laura Ashley, who lent her name to the still-famous range of clothes, furniture and furnishings. In terms of a brand, Laura and Sir Bernard were a dream team: she the sensitive, creative designer who changed the look of millions of women and millions of homes; he the driven entrepreneur, ever intent on aggressive expansion of the business.
Tall and dashing, the actor-director Mel Ferrer was once described as having "the elegantly removed air of a Renaissance nobleman". The air of detachment may have contributed to his failure to become a major star, though in the Fifties he played several leading roles with flair and charisma.
When glamorous star meets beautiful clothing, something magical happens. On the eve of the second Fashion in Film Festival, Rhiannon Harries asks four designers where they find cinematic inspiration