The Royal Opera House and Glyndebourne have relayed live operas to cinemas. But for the first time next week, an opera will premiere at a London cinema.
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Thursday 02 August 2012
Alfred Hitchcock's 1958 thriller Vertigo is the greatest film of all time, according to an once-in-a-decade poll of critics which has deposed Citizen Kane from the top spot.
Sunday 29 July 2012
An ecological fable ... padded out with industrial levels of filler
Thursday 29 March 2012
Saturday 31 December 2011
Uncut versions of classic movies to be screened to mark 100 years of the Board of Film Classification
Sunday 04 September 2011
Sunday 05 June 2011
Friday 04 March 2011
Sunday 30 January 2011
Wednesday 01 December 2010
Friday 05 November 2010
My first inkling of the art demanded for the accompaniment of silent films came when I watched a young Carl Davis sit down at my piano and deliver a dazzling preview of his score for Abel Gance's five-hour epic, Napoleon. That was three decades ago, since when Davis's scores have become big business. Though his route has been orchestral, accompaniments on the piano are still provided for silent classics at the National Film Theatre. And the champion at that is the young classical pianist-composer Costas Fotopoulos, who has been providing the music for a clutch of rare Frank Capra movies at London's BFI Southbank, with the final one – Rain or Shine – due to be screened tomorrow.
Friday 20 August 2010
It's a long way from Helensburgh to Hawaii. When you watch Deborah Kerr and Burt Lancaster in their celebrated clinch on the beach in From Here To Eternity ("nobody ever kissed me like you do!"), you realise just what an extraordinary metamorphosis Kerr underwent in the course of her movie career. The Scottish-born star (the subject of a retrospective at the BFI in partnership with The Independent during September and October) seemed in her early film career to be the most upstanding and "proper" of actresses. She had a shy and aloof quality.
Friday 25 June 2010
Ray Harryhausen – the daddy of stop-motion animation – turns 90 next week. Tomorrow, BFI Southbank rounds off a month of screenings and events with a celebration hosted by the director John Landis. It is comforting to know that though computers dominate special-effects nowadays, his pioneering techniques are still admired.
Saturday 08 May 2010
Friday 26 March 2010
- 1 Heading for America? Prepare for the longest US immigration queues ever
- 2 Notes from a small island: Is Sealand an independent 'micronation' or an illegal fortress?
- 3 You thought Ryanair's attendants had it bad? Wait 'til you hear about their pilots
- 4 'Swivel-gate': David Cameron goes to war with the press over 'swivel-eyed loons' slur
- 5 It’s official: thanks to Stephen Hawking's Israel boycott, anti-Semitism is no more
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