News Marshall moved to New York in 1981, where he had latterly painted murals

Austin John Marshall, record producer, folk-revival ideas man, lyricist and songwriter, performance poet and muralist, created, nurtured or acted as cultural midwife to many strands of art. His fingerprints are all over Shirley Collins & Davy Graham's folk roots, new routes, Shirley & Dolly Collins' magnum opus Anthems in Eden, Ultravox!'s pre-Midge Ure incarnation Tiger Lily and English songwriter Steve Ashley's groundbreaking Stroll On. He also contributed footage to Peter Neal's Jimi Hendrix film Rainbow Bridge (1972) and to the Incredible String Band's film Be Glad for the Song Has No Ending (1970).

Miley Cyrus is on course to top the charts with Wrecking Ball

Controversy twerks: Miley Cyrus on course for chart double with Wrecking Ball and Bangerz

The singer is at the summit of both the midweek singles and albums charts

Laura Mvula performs on the Pyramid Stage during day 3 of the Glastonbury Festival

Music review: Laura Mvula - 'An organic talent who is sweet to the ears'

Whatever your stance on the annual Mercury Music Prize shortlist recrimination frenzy, no one can deny the effect that even nomination can have on an artist in terms of sales, coverage and self-confidence. So with a Mercury nod in the bag, how is the self-effacing Laura Mvula feeling as she headlines the Shepherds Bush Empire on a Friday night?

Album: Janelle Monae, The Electric Lady (Atlantic)

Following her 2010 album, The ArchAndroid, was always going to be tricky. In The Electric Lady, Janelle Monae continues to occupy her high-concept cyber-world as Cindi Mayweather, a droid alter-ego from the year 2719. But she also, thankfully, knows how to write a jam. Top collaborators help: there are slick, tasty duos with Prince, Erykah Badu and Solange.

Album: Arctic Monkeys, AM (Domino)

The third album of Arctic Monkeys’ Los Angeles sojourn is a significant improvement on both Humbug and Suck It and See, suggesting they’ve found a more satisfying rapprochement with the classic rock that tends to come with the territory over there.

Robert Plant performs with the Sensational Space Shifters

Live review: Robert Plant presents Sensational Space Shifters, Colston Hall, Bristol

For a Led Zeppelin reunion refusenik, Robert Plant does perform an awful lot of material by the group who defined seventies rock in all its magnificence and occasional self-indulgence.

Album review: Justin Currie, Lower Reaches (Endless Shipwreck/Ignition)

Justin Currie is one of the more engaging personages in pop – his website is, hands down, the quirkiest and most articulate of any celebrity – which makes his continuing fidelity to fairly routine American musical modes somewhat frustrating.

Album: Christian McBride Trio, Out Here (Mack Avenue)

Most piano trios in what is now a very crowded market, follow some special programme or USP: getting all trancey, say, or covering tunes by long dead folkies.

Album review: David Lynch, The Big Dream (Sunday Best)

The familiar Lynchian tropes are evident throughout this second solo album from the auteur director. What's not here, though, is the craft and the sheer peculiarity that might make The Big Dream more listenable.

Album: Bobby Whitlock, Where There's a Will There's a Way (FDR)

Anguished-sounding Tennessee singer/keyboards player Whitlock followed Eric Clapton from Delaney & Bonnie into Derek and the Dominos.

Album: Souad Massi, The Definitive Collection, Wrasse

From tango to soukous, from flamenco to fado, this spirited Algerian singer-songwriter embraces it all.

The John Gosden-trained The Fugue has a good record fresh

Fugue best played at rapid tempo for Royal Ascot

Gosden filly can spring surprise against Derby winner Camelot and his Curragh conqueror

Album review: Empire of the Sun, Ice on the Dune (EMI)

I can't help feeling a little let down by this follow-up to 2009's Walking on a Dream, which seems to compress that album's imagination and stylistic variety through a small valve set midway between Daft Punk and The Scissor Sisters.

Album review: Nino Machaidze, Arias & Scenes (Sony Classical)

It's not hard to understand why Nino Machaidze has become something of an overnight sensation since her 2008 breakthrough in Roméo et Juliette at Salzburg. In this selection, the Georgian coloratura soprano combines phrasing of nuanced subtlety with top notes of stunning power, ranging from the lilting, seductive “Quando men vo” from La Bohème to the impassioned gusto of her dramatic Violetta in an extended scene from La Traviata climaxing with a joyous “Sempre libera”.

Elton John played on the Queens of the Stone Age's new record

Sir Elton John revelling in Queens of the Stone Age rock collaboration

Sir Elton John has spoken of his excitement at playing on a rock record for the first time - as his collaboration with Queens Of The Stone Age hurtles to the top of the charts.

Album: She & Him, Volume 3 (Double Six)

She – Zooey Deschanel, "adorkable" actress-cum-singer – and Him – singer-songwriter M Ward, here largely in guitarist/producer mode – return with a third volume of retro pop.

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