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Dance review: The Royal Ballet, Royal Opera House

The Human Seasons, David Dawson’s new work for The Royal Ballet, is speedy, athletic and hectically busy. The curtain rises and falls on four couples, already in the middle of over-the-head lifts. It’s the nearest Dawson gets to a still moment.

Dance review: Carlos Acosta – Classical Selection, The Royal Ballet,

Carlos Acosta is a generous host. Classical Selection, a programme celebrating the ballet star’s 40th birthday, is much more substantial than most galas. Looking back over his own career, Acosta also makes the most of his colleagues from The Royal Ballet. It’s a lavish but surprisingly intimate evening, with superb dancing, live music and a friendly sense of scale.

Ballet review: A Tribute to Rudolf Nureyev, London Coliseum

2013 marks 75 years since the birth of Rudolf Nureyev, twenty since his death. English National Ballet’s new triple bill pays tribute to one of ballet’s greatest stars, and to the range of his career, which stretched from classicism of his Russian schooling to the new and older ballets he discovered on defecting to the west. ENB’s tribute is wide in scope but patchy in execution.

Tamara Rojo: The ballet-dancer-turned-artistic-director on her burst

I was hooked on ballet from an early age I was five, watching a class all dressed in pale-pink led by a thin, beautiful teacher dressed in burgundy. She was so different from the other teachers at my school, who were nuns. My parents didn't want me to do ballet, so I insisted until they gave up: I used crying and all the manipulative tricks little kids have.

More headlines

Dance review: Don Quixote, London Coliseum

Natalia Osipova suddenly launches herself sideways, sailing through the air to land in the arms of Ivan Vasiliev, half a stage away. The Mikhailovsky Ballet’s Don Quixote is full of impossible feats, performed with swaggering charm.

All smiles with Carlos and company's peep show

The Russian dancer Andrej Uspenski who is a First Artist at the Royal Ballet began taking photographs of his colleagues about two years ago. Now his coffee-table book of photographs, Dancers: Behind the Scenes with the Royal Ballet, which is published next month, gives an insider's view of the Royal Ballet.

Dance review: The Mikhailovsky Ballet, London Coliseum

Even before she becomes a ghost, Natalia Osipova’s Giselle defies gravity. Running out from her rustic cottage, she hangs in the air with each glowing, skipping step. Osipova and her partner Ivan Vasiliev, two of the world’s most exciting dancers, headline a busy London season by the Mikhailovsky Ballet, a St Petersburg company whose international profile has soared in recent years.