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Patsy Swayze: Choreographer who worked on the films 'Thelma and

Patsy Swayze, who died on 16 September at the age of 86, was a choreographer and dance instructor and the mother of the late actor Patrick Swayze. Her credits include such films as Urban Cowboy and Thelma and Louise, and she was also the founder and director of the highly acclaimed Houston Jazz-Ballet Company as well as teaching at the University of Houston for 18 years.

Dance review: The Flames of Paris - Natalia Osipova and Ivan Vasiliev

When ex-Bolshoi Ballet stars Natalia Osipova and Ivan Vasiliev dance, stunned gasps rise up from the theatre: a collective “oh” of wonder and delight. Returning for a guest appearance with their former company, Vasiliev and Osipova give the Bolshoi’s London season an astonishing boost, as high and exhilarating as their soaring jumps. They lift everything around them.

Dance review: Carlos Acosta – Classical Selection, The Royal Ballet,

Carlos Acosta is a generous host. Classical Selection, a programme celebrating the ballet star’s 40th birthday, is much more substantial than most galas. Looking back over his own career, Acosta also makes the most of his colleagues from The Royal Ballet. It’s a lavish but surprisingly intimate evening, with superb dancing, live music and a friendly sense of scale.

Ballet review: Russian Seasons of XXI Century, London Coliseum

Some shows just seem to be doomed. On opening night, the Russian Seasons of XXI Century dropped one production due to injury, then added an unscheduled interval while they tried to fix the lighting. Technical hitches aside, it was a ramshackle night of dubious revivals and recorded music. The bright spot was British-born guest star Xander Parish, dancing with bold conviction.

Dance review: Laurencia, London Coliseum, London

Laurencia, which continues the Mikhailovsky Ballet’s London season, is a curious hybrid. The Spanish dances, castanets and local colour suggest the exotic ballets of the 19th century, with the addition of a Soviet-friendly tale of a peasant uprising. Natalia Osipova and Ivan Vasiliev make sensational rebel leaders, drawing the mix together.

Dance review: Don Quixote, London Coliseum

Natalia Osipova suddenly launches herself sideways, sailing through the air to land in the arms of Ivan Vasiliev, half a stage away. The Mikhailovsky Ballet’s Don Quixote is full of impossible feats, performed with swaggering charm.

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Ballet Black, Linbury Studio Theatre, Royal Opera House

Ballet Black, the award-winning company founded to provide role models for black and Asian ballet dancers, is now 12 years old. It has established its own identity, which is as much about new work as it is about the colour of the dancers’ skin. It’s a small, sparky company with plenty of ambition and swagger.