Slipknot closed Sonisphere festival in the UK with a "f***ing celebration" last night.
Seven countries in 10 days. "Exhausting" sums up following the world's only touring music festival, Sonisphere. So far I've travelled with it from Turkey, up through Eastern Europe, into Croatia and Slovenia, Italy and Switzerland. I've clocked up 5,000km on the car, passed through four countries in one day and slept in a Swiss barn. I am on first name terms with border guards and a reluctant expert on Euro motorway cuisine.
Foo Fighters frontman Dave Grohl was declared a God-like genius at the Shockwave NME awards and dedicated the prize to former Nirvana bandmate Kurt Cobain.
Roger Daltrey plans to give up music to be an artist.
Andy Gill reviews the albums nominated for the music prize
Paul Weller, The xx, Dizzee Rascal and Corinne Bailey Rae all make the 12-strong list.
"There is no such thing as a naked man," says shirtless frontman Simon Neil, as if quoting from some mysterious book of Biffy logic.
Storm Thorgerson, the designer of over 400 album covers, whose iconic artwork plotted the aesthetics of Pink Floyd, talks to Matilda Battersby about his creative journey.
Oasis showed they are gone but not forgotten today after landing three nominations at the NME Awards, including best British band - despite splitting five months ago.
The progress of Ayrshire prog-metal trio Biffy Clyro demonstrates again that, outside of the short-term imperatives of Cowellised talent-show pop, the best way for a proper rock band to develop is through faith and persistence, rather than coaching and consultancy. Together since 1995, they've persevered through years of solo gigs and well-chosen support slots, building up a solid fanbase which finally expanded to chart-bothering proportions in 2007 with their fourth album Puzzle. It's an object lesson in self-determination akin to the success of Muse, with whom they share an affection for pungent riffs and quirky lyrical themes. Biffy Clyro favour the kind of abstruse non sequiturs that leave one scratching one's head. But the drift is clear: Only Revolutions is packed with violent imagery – lots of hits, bruises, shots, burns and blood, and even a track titled "Booooom, Blast & Ruin". Elsewhere, big metaphors – God and Satan, mountains and oceans - abound, decked out in suitably grandiose, constantly gear-changing pomp-metal riffs, fattened in some case with fanfaring horns or underscored with strings. The exception is the oddly-titled "Many Of Horror", an understated love song and obvious single-in-waiting; but the standout track is surely "Bubbles", to which a guesting Josh Homme brings a touch of Queens Of The Stone Age.
Chris T-T and Frank Turner combine punk attitudes with the essence of folk
This Scottish duo aim to cram deep ideas into light-hearted pop songs. Is it possible to dance and think at the same time?