I voted for Joey Bada$$ (pictured) in last year's BBC Sound of 2013 poll. He didn't make the list but I maintain the young Brooklyn rapper is a voice to listen out for. “Word Is Bond” is his new track, released last week and trailing his upcoming mixtape Summer Knights. Find it at snd.sc/16nv7eP. Like his excellent mixtape 1999, still freely available at theproera.com/music/joey-badass-1999, the new single finds Bada$$ rhyming confidently over beats and samples, here provided by Statik Selektah, that recall the classic 1990s era hip hop of the likes of Nas' debut Illmatic – those piano loops are irresistible. As if to burnish his throwback credentials he references, among other things, George Pataki, the long-serving former Governor of New York, who first took office in 1995.

My parents loved the blues and early jazz, and I grew up to the sounds of Bessie Smith, Billie Holiday, Leadbelly and Fats Waller.

Wolfgang Rihm is intrigued by the way that artworks often occur as responses to other artworks – in the case of Nähe Fern, the four symphonies of Brahms, to which the constituent parts were conceived as allusive homages, or pendants to be performed alongside the individual symphonies.

Indian percussion wizard Gurtu honours his early work with Don Cherry in an album dedicated to the sound of the trumpet, alternating pieces by Miles, Dizzy and Cherry with original compositions.

I'm standing at the full-length mirror in my mother and step-father's bedroom practising scales when it happens. The little cup-shaped mouthpiece gripped in my left hand is still warm from my breath.

The second album from the experimental folk-minimalist trio is an all-location recording with 22 instrumentals played in places as various as a Dorset chapel, an allotment shed, a Welsh waterfall, under a flyover, and Regent's Park bandstand.

It's rather apt that John Eliot Gardiner's marathon cycle of Bach cantatas should finally be completed with those written for Ascension Day, recorded at St Giles Cripplegate 12 years after the original “pilgrimage” recordings of 2000. The four cantatas feature mostly new soloists but sustain the series' high standards.

For more than 20 years, London's TGU have placed traditional "world music" sounds in a contemporary context in an unforced, unexploitational way that works because they collaborate rather than just appropriate.

Between 1954 and 2008, the trumpeter Pat Halcox played over 10,000 performances with Chris Barber's Jazz and Blues Band. His farewell tour ended the longest partnership in jazz; at nearly 80 years old, Halcox had finally tired of the travelling.

An instrumental unit associated with the Daptone organisation, the Menahan Street Band have proven a fertile sampling source for such as Jay-Z, Kid Cudi and 50 Cent, and it's not hard to tell why listening to the grooves on this latest album.

For once, the apparent hyperbole is simple statement of fact: the four albums compiled together here are all indeed masterpieces of baroque music, delivered with grace and majesty by outstanding performers.

In his later years, Stockhausen gave himself more and more to monumental works, such as the 29-hour operatic cycle Licht, a grand mythopoeic fable based around the days of the week, from whose Donnerstag (Thursday) opera derives Michaels Reise um die Erde (Michael's Journey Around The World).

Six decades into his remarkably consistent career, Fame has made one of his best albums: a bare-bones trio recorded in Slovenia with guitarist Primoz Grasic and bassist Mario Mavrin.

Mexican producer Camilo Lara has been making kitsch, cool, funky sonic collages from the old, new, borrowed and blue for six years now.