The comic who plays Judas Iscariot says auto-tuning his voice is 'f***ing rude' and 'insulting'
Most actresses her age would be starting drama school – but not Bel Powley, whose West End appearance as Tamsin Greig's scantily clad and moody teenage daughter Tilly in Jumpy is the third play under her belt.
A revival of a drama written in 1977 with “astonishing relevance” to contemporary Britain opened in South London this week. Barrie Keeffe’s Barbarians is a trilogy of plays about disaffected youth amid record youth unemployment.
Playwright Richard Bean reworks James Corden show to suit American theatregoers
Commemorations begin this weekend to mark the centenary of Titanic's tragic maiden voyage. Scores of events will take place; many are well meaning while others appear to be little more than a cynical cash-in on a disaster in which 1,514 people died.
On the face of it, only one of the novice hurdle winners at Taunton yesterday could be described as breathtaking. The first, after all, was returned at 200-1; and the second, sent off at odds-on, won by only half a length. But the manner of Darlan's success was such that he stole the show even from the eye-watering starting price of Lights Of Broadway.
Twenty-two police officers have been injured during rioting in Northern Ireland.
A new stage version of Women on the Verge of a Nervous Breakdown could be a musical too far, says Sarah Hughes
"I'm getting baggy under the eyes," exclaims the old actor on the comeback trail in Clifford Odets's wonderful backstage drama. But as that actor is played by baggy-eyed Martin Shaw, the remark is as superfluous as Edith Evans's complaint in Hay Fever years ago that someone was speaking to her as if she were 80 (which she more or less was).
It is ironic that an actor who so distinguished himself in films and on Broadway before winning fame as Blake Carrington on television in Dynasty should perhaps still be best remembered for a role in which viewers never even saw him, that of the elusive Charlie in Charlie's Angels, whose disembodied voice on a phone line gave his girl detectives their new assignment each week.
In 1968, the squares thought it 'perverted', and to the kids it was phony.
Director to film series about the making of a stage production – then take the real thing to Broadway