It's 25 years since Die Hard was released. Yippee-ki-yay to that, says Tim Walker

“This time-travel crap, just fries your brain like a egg...” maintains Jeff Daniels's cerebral thug, and the first hour of this mind-bending sci-fi is a little too mind-frying.

The danger that the newspaper will be out of date before it hits the nation's doormats is, of course, a perennial problem for the press.

The trailer for A Good Day to Die Hard, the fifth film in the Die Hard, er, trilogy, has just been released. Here's all you need to know about it in numbers:

Wes Anderson's films are as formally distinctive as Peter Greenaway's, and sometimes as maddening. They are pictorial things, but less in the way of a film than, say, a graphic novel. Where Greenaway thinks like a painter, Anderson uses the camera like a cartoonist, each frame hyper-composed in colour and composition, an eccentric mini-work of art in itself. What the frames don't have is much sense of physical or emotional movement from one to another. It's the same with the dialogue. People in Wes World don't overlap in their conversation – a character says something, then there's a pause, then another character replies. Again, it's like the thin white lines dividing one box from another in a comic strip. Some find the effect very charming.

Wes Anderson, 94mins. Starring: Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray, Edward Norton

Two romantic runaways from scout camp try to keep ahead of the all-star posse on their trail

Cannes curtain-raiser Wes Anderson is still the king of quirk, says Tim Walker

Cannes curtain-raiser Wes Anderson is still the king of quirk

There were times in the past when Novak Djokovic's appetite for a battle was called into question, but the fighting qualities the Serb showed in winning three Grand Slam titles last year and becoming world No 1 have been recognised in Hollywood. Djokovic is making his screen debut in The Expendables 2, which is due to be released later this year.

Nimrod Antal neatly sets up this this heist thriller before allowing everything to unravel in the last 15 minutes.

The weekend's US box office figures provide a very topical illustration of the harsh financial realities that lay behind the recent cloak-and-dagger sacking of Disney’s studio head Dick Cook.

There’s a touch of genius about the way Demi Moore has subtly managed to upstage her ex-husband Bruce Willis (pictured together above), while also staying publicly matey with him, throughout the nine years since their divorce.

Coming from Adam Sandler's Happy Madison production stable, this family comedy initially had me assuming the brace position.