Gwyn Hanssen Pigott was a major figure in the field of international studio ceramics, whose work was characterised by its clarity and calm. From the mid-1980s she began to group apparently functional wares, in the form of bottles, beakers, cups and bowls, into sculptural still-life sequences of timeless purity, a move in the direction of fine art, seen at its most ambitious in her 55ft installation Caravan, shown at Tate St Ives in 2004.

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