If Robin Ticciati launched himself less than dramatically into the slow introduction of the overture of Mozart’s Don Giovanni, the rest of his compelling reading of this concert performance with the Scottish Chamber Orchestra was instinctively and stylistically secure. Dedicated to the late Sir Charles Mackerras, this Don Giovanni was a young man’s account. With no over-elaborate ornamentation, no halting pauses, Ticciati secured modern playing but of a historically sound nature, with brisk tempi, bouncing and bristling.
Born in 1963, Austrian composer Thomas Larcher has an ear for alluring textures and unexpected contrasts.
Though they are leaders of a loose confederation of new dream pop bands, Beach House make for strange scene figureheads as they shamble on stage, hidden behind ragged fringes and awkward banter. Such simple failings in stage presence are forgotten, however, within about 30 seconds of the first song of a majestic set.
The bassoonist Kerry Camden was one of the most distinguished musicians of his generation.
Veteran conductor Sir Charles Mackerras picked up two awards at the prestigious BBC Music Magazine Awards 2009 for classical recording excellence today.
At some point during the recording sessions for this disc, the Nash Ensemble must have decided to play as though live, and not to the microphone.
The faintest of French inflections on soprano Julie Hassler's Ts and Ds are tiny blemishes on this otherwise flawless recital of Purcell's songs and chamber music.