As the Royal Opera opens its new Don Giovanni, Jessica Duchen argues that its theme of moral vacuity is as relevant now as in Mozart's day
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Friday 03 January 2014
Michael Church picks this years must-hear classical
Tuesday 15 October 2013
Norris, who recently staged The Amen Corner at the National, will take over from Sir Nicholas Hytner in 2015
Friday 19 October 2012
Despite its origins in Spanish legend, Spain is not important to Mozart’s and da Ponte’s Don Giovanni. So the placing of the story in the context of the early 1960s in Alessandro Talevi’s new production for Opera North is non-controversial.
Wednesday 03 October 2012
Glyndebourne, this is not. Welcome to opera for the next generation; where jeans and trainers are encouraged, punters can drink in bars and the young audiences can even stick on their headphones if they do not like the music.
The Sinking of the Titanic, Barbican Hall, London / Jakob Lenz, Hampstead Theatre, London / Don Giovanni, Heaven, London
Sunday 22 April 2012
Moving musical memories of 'Titanic', a sodden mystic and a drooling Don make the going soggy
Monday 27 February 2012
The opera singer Elizabeth Connell enjoyed 10 successful years as a mezzo before becoming a soprano and enjoying over two decades more of international acclaim.
Sunday 22 January 2012
There is hell-fire enough at the close of Francesca Zambello’s 2002 staging of Don Giovanni to consume not just the Don but the entire production.
Wednesday 28 December 2011
It might seem a fool's errand to attempt to encapsulate the musical developments of the 18th century in a single package, given the era's heavyweight talents include Bach, Vivaldi, Beethoven, Mozart and Haydn.
Friday 28 October 2011
The Canadian bass Don Garrard sang in the UK for over 20 years, with the Royal Opera, Scottish Opera, Welsh National Opera, and above all with Sadler's Wells, now English National Opera. He had a natural authority, both of voice and bearing, that served him well in roles such as Sarastro in The Magic Flute, Prince Gremin in Tchaikowsky's Eugene Onegin and the Grand Inquisitor in Verdi's Don Carlos. The warmth of his voice and personality also allowed him to play loving fathers with equal facility; among these Daland in Wagner's The Flying Dutchman and Arkel in Debussy's Pelléas et Mélisande are good examples. His singing was also much appreciated in Canada and the US.
Free drink and programme when you see ENO productions of The Elixir of Love or The Marriage of Figaro
Sunday 28 August 2011
Jonathan Miller’s triumphant staging of Donizetti’s comic masterpiece 'The Elixir of Love' returns to the London Coliseum this September for a limited run of only nine performances, while Fiona Shaw brings her unique creative flair to a major new production of Mozart’s immensely popular classic 'The Marriage of Figaro' in October.
Proms 47, 49 & 53, Royal Albert Hall, London<br/>London Contemporary Orchestra, Roundhouse, Camden, London<br/>Don Giovanni, Soho Theatre, London
Sunday 28 August 2011
Wednesday 24 August 2011
Fired by the Olivier-winning success of their miniature ‘Boheme’ last year, OperaUpClose have become fizzingly prolific. After three pocket productions at the Kings Head, they have now moved back to the slightly more spacious Soho Theatre with ‘Mozart’s Don Giovanni’, whose title reflects the fact that other cooks besides Wolfgang had a hand in its creation.
Wednesday 13 July 2011
Wednesday 15 June 2011
Her appearances in this country are rare enough as it is so to discover that Maria Joao Pires was to be a late substitute (for the indisposed Murray Perahia) was precious consolation indeed.
Thursday 02 June 2011
In defence of liberal democracy
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