Intense, lean, witty and stripped of cliché: a 'Carmen' worth the wait
The Royal Opera House has lost a respected leader
Blur frontman Damon Albarn and Monty Python star Terry Gilliam have joined forces to encourage new audiences to go to the opera.
Meet Mr T, the Hollywood veteran making his London debut in 'Dr Dee'
It's not only the narrative tension that turns on interlocking screws in Glyndebourne's production of Britten's claustrophobic masterpiece.
Sarah Tynan is one of English National Opera's great success stories.
This Romeo is all over the place. On the one hand, it stars the Bolshoi's magnificent Ivan Vasiliev and Natalia Osipova – charisma to their fingertips, his lithe warmth to her fizzing attack. On the other, this is a production where designs, performance styles and even venue haven't been introduced to each other.
Birmingham Royal Ballet's Cinderella has swift storytelling, marvellous designs and a tender heart. New last Christmas, it has been a success on tour and on television, and arrives at the London Coliseum looking as bright as ever.
We have visited this hostile land before, but Benedict Andrews' cast is fully engaged and Monteverdi's score beautifully played
The "one little maid in attendance come" or, to be more precise, the delectable Yum-Yum, arrived hot-foot from rehearsals for the 25th Anniversary revival of Jonathan Miller's staging of Gilbert and Sullivan's The Mikado in the petite blond personage of Sophie Bevan.
Sir John Tomlinson - one of the great Wagnerians of our time and surely the greatest Wotan since Hans Hotter - returns to English National Opera to sing the role of Gurnemanz, the eldest and wisest of the Grail knights, in Wagner's last opera Parsifal.
Amanda Roocroft was a star from the moment she graduated from the Royal Northern College of Music. At 25 Sir Georg Solti asked her to sing Pamina at the Salzburg Festival. She declined. It was too soon. Where would there be left to go? "Hurry slowly" would seem to have been her motto and now that she is playing - for the first time - a diva with 300 years of experience the decisions she has made in her career are more than ever falling into perspective.
The tenor Toby Spence tells Jessica Duchen why his new role is apt
They are musical geniuses, says Jessica Duchen, so why won't the Royal Opera House or Glyndebourne touch them?
In the 1960s Des McAnuff played guitar and wrote songs to meet girls. Subsequently life became a little more complicated for the multi-talented writer/director. His long-standing commitment to the Shakespeare Festival Theatre at the other Stratford - in Ontario, Canada - has won him many plaudits and he is now Director Emeritus of the La Jolla Playhouse in California where so many important projects have germinated, including his Tony Award winning production of The Who's Tommy and the forthcoming musical adaptation of Doctor Zhivago with a score by Lucy Simon. Zhivago opens in Sydney, Australia, in February.