While acknowledging that there must be omissions when the two sets of the Stones' Hyde Park shows are condensed down into one manageable download album package, I'm frustrated that so many of my favourites have been cut in favour of a more populist sequence. But there's no denying the power of a set stuffed with riffs like “Honky Tonk Women”, “Brown Sugar” and “Jumpin' Jack Flash”, played with that inimitable loose/tight dialectic that characterises the Stones at their best. And it's worth it for “Paint It Black” alone.

The Killers, The Script and David Guetta also among headliners

The Mallorcan singer goes a bit more uptempo on this, her sixth album, and it’s a welcome move.

See the videos below for tracks from some of country music's biggest, and some of the newest, stars.

Best known for his Schubert lieder, tenor Mark Padmore here performs Alec Roth's arrangements of songs and poems for voice and guitar, ranging from a sequence of Thomas Wyatt poems of love lost, to the more reflective, crepuscular tone of modern verses on nocturnal themes by Vikram Seth.

There's a deceptive warmth to Tunng's Turbines, exemplified both by the description, in “Trip Trap”, of a woman as “sweet and sour, a poisonous flower”, and musically by the blend of wispy analogue synth and tingling acoustic guitar in “Heavy Rock Warning”.

It's not hard to understand why Nino Machaidze has become something of an overnight sensation since her 2008 breakthrough in Roméo et Juliette at Salzburg. In this selection, the Georgian coloratura soprano combines phrasing of nuanced subtlety with top notes of stunning power, ranging from the lilting, seductive “Quando men vo” from La Bohème to the impassioned gusto of her dramatic Violetta in an extended scene from La Traviata climaxing with a joyous “Sempre libera”.

Eisteddfod-reared singer-harpist Georgia Ruth Williams was raised bilingually in Aberystwyth, as far into Wales as you can get without falling off the edge.

A sort of bestiary of myth, legend and animal analogy, Wilderness uses wildlife traits as jumping-off points for enigmatic tales in typical Handsome Family manner.

The 58th Eurovision Song Contest is back this Saturday. Last time the UK, represented by Mr Humperdinck, finished second-last.

Floraleda Sacchi's harp lends itself particularly well to the minimalist logic of Philip Glass's progressions on this anthology of transpositions, never better than on the “Opening” from Glassworks, where the bass pulse beds beautifully among the mirroring figures of the theme.

There's a strange, archaic feel to the songs of head Messenger, MC Taylor, with their Biblical references and invocations to “cleave ye to the rock”.

"You look far too young for a Fairport Convention gig," bassist Dave Pegg informs us before admitting "We need an interval now as some of us require the restroom."

Young Norwegian saxophonist Neset stunned all with his extraordinarily assured debut, but this follow-up is so ambitious the stakes are raised sky high.