Arts and Entertainment Prince is sueing fans who post links to recordings of his live performances online

The singer is targeting 22 individuals for 'massive infringement' of his work

Prince confirms UK tour to start February 2014

Singer will reveal venues from Lianne LaHavas' apartment

Prince performs at the Superbowl, Miami in 2007

New Year's Eve playlist

Tracks that will want to make you stay in this New Year's Eve. After all, that's what you really want to do...

5 reasons to watch The Hunger Games: Catching Fire

As The Hunger Games sequel hits cinemas, we take a look at the best bits...

Album: Arctic Monkeys, AM (Domino)

The third album of Arctic Monkeys’ Los Angeles sojourn is a significant improvement on both Humbug and Suck It and See, suggesting they’ve found a more satisfying rapprochement with the classic rock that tends to come with the territory over there.

Album: Janelle Monae, The Electric Lady (Bad Boy/Atlantic)

The Electric Lady extends the cyborg sci-fantasy tale of Janelle Monae’s The ArchAndroid, albeit in a less eclectic manner – the folk and psychedelic elements abandoned in favour of a more focused assault on R&B territory.

Jeremy Kelshaw (right) with the rest of Cloud Control

Fantasy band: Jeremy Kelshaw, Cloud Control

'This band is just going to want to terrorise and make very loud noises'

Bassist Jared Hasselhoff of the American rock group Bloodhound Gang is seen pushing the Russian white-blue-red tricolour flag into the front of his pants during a concert in the city of Odessa

US band Bloodhound Gang ejected from Russia after flag stunt

Rock group could face criminal charges for their onstage antics

Prince plays at the Montreux Jazz Festival

Gig review: Prince, Auditorium Stravinski, Montreux Jazz Festival

When Prince comes to the Montreux Jazz Festival, all bets are off. On his third visit to the Swiss Riviera for the 47th edition of the event, he was given carte blanche over three consecutive, sold-out evenings and appeared determined to cover as many bases as possible.

Glastonbury 2013 reviews: From Bassekou Kouyate to Mumford and Sons, Sunday has its fair share of top festival moments

Glastonbury organisers Michael Eavis and his daughter Emily took a chance on turning Mumford and Sons into a headline act; with just two albums released to date, it’s early in the band’s career. But the four-piece folk-rock band, with Brit and Grammy awards to their name, more than rise to the prestigious post. It’s an even more triumphant performance, following the brain surgery and happy recovery of their double bassist Ted Dwane.

John Lydon of Public Image Ltd performs on the Avalon Stage at the Glastonbury Festival

Glastonbury 2013 - review: A laid-back Sunday to follow the Rolling Stones' show - from Rufus Wainright to John Lydon

So how can you possibly top that set from The Stones? A dream Saturday night headline set from the biggest rock band in the business was always going to a tough act to follow. Respect then to Bath-based The Heavy whose midday set on The Other Stage was a perfect start to the final day of this year's Glastonbury festival.

Michael Jackson's eldest son Prince testified in a legal dispute with AEG

Prince Jackson claims late father Michael thought This Is It rehearsals were going to kill him at wrongful death trial

Michael Jackson's eldest son Prince Jackson told a court that his late father had feared the gruelling rehearsal schedule for his This Is It Tour would be the death of him.

Album: Jupiter & Okwess International, Hotel Univer (Out Here Records)

Less approachable than Staff Benda Bilili, not as sonically challenging as Konono No1, this new contender for best Congolese band on the planet is fronted by one-time Damon Albarn collaborator Jupiter Bokondji.

The Strokes, Comedown Machine (Rough Trade)

Album review: The Strokes, Comedown Machine (Rough Trade)

Their fifth album finds The Strokes continuing the search, begun on 2011's Angles, for ways to tackle the future.

Album review: Wave Machines, Pollen (Neapolitan)

Liverpool art-rockers Wave Machines return, after three years, with a chiselled record of synth pop, rich with squiggles and shimmer.

Sinead O'Connor, St Luke's, LSO, London

The blunt, vulnerability of Sinead O’Connor’s shorn head appears stark as she stands on a large stage in the beautiful converted church of St Luke’s. But Ireland’s wild child, no stranger to controversy, who happily says “I’m as dry as a nun’s…” in a chapel, can lay her emotions bare more powerfully now than when her cover of “Nothing Compares 2 U” was number one in 14 countries in 1990.

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