Serpentine Sackler Gallery, Kensington Gardens London W2 (020-7298 7552)
The previous Turner Prize winner has opened up a seemingly exclusive party to all
The secular painter and ceramicist explains why he is still drawn to Catholicism, and why his work is different to Grayson Perry
An exhibition of work from post-revolutionary Mexico is structurally unsound: it lacks murals, the people’s medium
The Turner Prize-winner's latest work is a holiday cottage on the coast - complete with statue on the roof
The Royal Academy of Arts is seeking to bring in younger visitors and "repay our friends" with a multimillion-pound refurbishment of facilities for its members – the first step in a wider overhaul of the entire site in London's West End.
In 1962, Joe Orton and his lover Kenneth Halliwell were sent to prison for six months for stealing and defacing books from their local library. Bored by the selection on offer the pair amused themselves by sneaking out dust jackets and altering them with collages and their own text. "I used to stand in the corners after I'd smuggled the doctored books back into the library and then watch people read them. It was very fun", noted Orton in his diaries. Now some of the defaced books, normally hidden in storage at the Islington Local History Centre, have gone on show at London's Ancient and Modern gallery. It was Adam Gillam's idea to exhibit them, alongside his own sculptures. "My work is not as racy, but there's a shared playful spirit," says the artist. "They're provocative and amusing." Covers on show include The Collected Plays of Emlyn Williams, with altered titles including Night Must Fall to "Knickers Must Fall"; Agatha Christie's The Secret of Chimneys with added cats; and Collins Guide to Roses in which a monkey's face unexpectedly stares out from the centre of a beautiful English rose.
The Royal Academy thinks so, but its latest show leaves Adrian Hamilton unconvinced. For a more stylish take, head to the Barbican, he says
Where to go, what to do in 2011
Even the most rarefied of fashion designers is unlikely ever to describe him or herself as an artist. That would be rushing in where angels fear to tread. Art is art – a highbrow and only ever a coincidentally commercial pursuit – fashion is fashion, catering to the pretty, privileged and vain. Or so any purists out there might argue. It's a far from modern view, though. Witness the Louis Vuitton flagship store that opened on London's New Bond Street earlier this year with its Michael Landy kinetic sculpture, Damien Hirst monogrammed medicine chest and hugely successful bags designed in collaboration with Takashi Murakami to see how these two apparently very different disciplines benefit one another. Or how about the Prada Foundation in Milan, home to some of the most innovative artworks of the age. The brains behind it – Miuccia Prada and her husband, Patrizio Bertelli – are presumably more than a little aware that if designer fashion is aspirational, fine art is even more so and any association only serves to heighten the outside world's perception of a brand's status and power.
Each new Government gets to decorate their offices from the Westminster art collection. Andy McSmith reports
Yentob's heads up on the artist's inner child
'We'd sit in the pub and smoke and bitch about everybody. We don't smoke any more'
Adam, Kay, et al: time to put in a pre-order. The former Sky newscaster Juliette Foster has allowed us a look at the synopsis of her long-awaited novel, Breaking News, and it promises to be every bit as titillating as anticipated.