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House (music)

Chris Kelly: Rapper who hit the charts with the '90s duo Kriss Kross

Chris Kelly was one half of Kris Kross, the kid duo who helped put Atlanta on the hip-hop map with their 1992 worldwide novelty hit "Jump". Known as "Mac Daddy", Kelly and his friend Chris "Daddy Mac" Smith were barely in their teens when the rapper and budding entrepreneur Jermaine Dupri, himself only 18, discovered them in a shopping mall in 1990.

Caught in the net: Deerhunter go for a new unhinged sound

One of my favourite bands of the last five years or so Deerhunter (pictured) return with their first album since 2010's fine effort Halcyon Digest. The new one from the US art-rocking five piece is called Monomania and is due in early May. They recently shared the title track from the album – it can be heard at youtu.be/bYUENZQ84-E. Whereas Halcyon Digest was a relatively controlled, polished affair, here they sound a bit more unhinged and jagged, particularly in final movements as the song spins off into some wild noise. I'm pretty much happy to stick with them whatever move they make, so I'm excited to see how this record turns out.

Album review: Rokia Traoré, Beautiful Africa (Nonesuch)

The daughter of a Malian diplomat, Rokia Traoré is perhaps the most naturally cross-cultural of her country's abundant musical offspring, effortlessly blending styles and sounds as easily as she switches between languages.

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The Week In Radio: Radio 3 needs an audience beyond this tiny elite

Is classical music really for everyone? This was the question posed by the writer and presenter Tom Service, chair of a live debate at the Sage in Gateshead as part of Radio 3's Free Thinking festival, to which the answer is: if only. Classical music is as much for everyone as quilted outdoor clothing, nannies, shopping at Waitrose and restaurant food that has been "pan-fried" rather than fried in a pan. A person's exposure to it depends on their education, financial status, parental influence and social class. Musical taste barely comes into it.

Alt-J, Electric Ballroom, London

There's a rumble throughout much of Alt-J's set: it's the sort of dubstep, bass heavy production that makes them sound oh-so 'now', layered as it is under folky guitar and vocal harmonies. Think James Blake meets Mumford & Sons (but please, let's refrain from the tag 'folk-step', a term more juddering than their basslines).