A suite of songs (ie, the mood is consistent throughout) of love and loss that aims for the austere mood of Gene Clark's No Other and falls short only because it reaches so high.

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The Killers' new album cover

A Killer game of chicken between a horse and a car. Thanks for that, Brandon

Brandon Flowers & Co's previous album brought forth the famous (infamous) lyric: "Are we human, or are we dancer?" But the artwork for the Nevadans' new LP Battle Born ups the ante. It features not only a lovely cod-metal lightning strike but a horse and a car (a mustang and a Mustang!) playing a game of chicken.

Album: Jimmy Cliff, Rebirth (Trojan/UMC)

Well, yes. Rebirth. Jimmy Cliff has been reborn as exactly the same person he was 40 years ago, when his high-energy skank and wail adumbrated the Marley breakthrough into mainstream tastes: Cliff was a sort of reggae John the Baptist.

Album: Samuel Yirga, Guzo (Real World)

Dub Colossus's young Ethiopian pianist is an incandescent talent.

Andrew Lloyd-Webber blames Eurovision failures on 'racist' Eastern Europe

Racism is so prevalent in some Eastern European countries that a black singer could not hope to win the Eurovision Song Contest, Andrew Lloyd-Webber has claimed.

Album: Metric, Synthetica (Metric Music International)

It's easy to see why David Cronenberg was attracted to his fellow Canadian electropop outfit as contributors to the soundtrack to his recent film Cosmopolis.

Album: The Malawi Mouse Boys, He is #1 (Irl)

A convenient back-story for their record label is a brutal reality to this young Malawian band whose name derives from the fact they sell mouse kebabs to passers-by in order not to starve to death themselves.

Album: The Imagined Village, Bending the Dark (ECC)

English folk buoyed on a current of ethnic rhythm: tabla, sitar, cittern, dhol, electronica ... It's not an easy trick to pull off without sounding self-conscious and contrived – and in truth contrivance is close to the essence of the project.

Andrew WK is currently touring the UK

Andrew W.K. gets the party started in the UK

A couple of years ago, on an evening from which I was regrettably absent, a few friends of mine ended up partying with Andrew W.K.. If you're familiar with the 32-year-old American rock star/celebrated hedonist/motivational speaker, you'll know that this is a big deal. The man has made it his mission to party; it's his religion.

Drake, Academy, Glasgow<br/>I Blame Coco, Proud Galleries, London

There is more musical depth to the Canadian hip-hop star than you would expect from his gyrating posturing and lewd talk

Brian Viner: Coco thinks it's grim up north London

Rehab clinics probably don't have guest books – "lovely stay, can really recommend the cold turkey" – but if they did, the children of the rich and famous would loom large. It's no easy matter being born into the limelight, growing up with one or both parents appearing to belong as much to their fans as to you, and in some sad cases even more so.

London loses another music venue as The Flowerpot closes

The flowerpot is no more. The north London pub, famous as a venue where you could see bands tipped as "the next big thing" – and A&R men hoping to sign them – has been forced to shut after its building lease was sold.

Observations: Pop power at the snow ball

There is more fun to have at Battersea Power Station than the launch of the Conservative Party manifesto earlier this year. This weekend, it is transformed into a ski resort with 500 tonnes of real snow. And as the sun sets over the 32m high and 100m long ski jump, Mark Ronson and his band the Business Intl, I Blame Coco (aka Coco Sumner, Sting's daughter) and the indie band New Young Pony Club will perform on the main stage in a tent at the temporary alpine-style ski resort.

Album: I Blame Coco, The Constant (Universal)

Don't blame Coco. I mean, what would you do if you were the 20-year-old daughter of Sting? Time's up.

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