When Gerard Butler's wife and daughter are murdered, he vows revenge, not just on the killers, and not just on the prosecutor (Jamie Foxx) who plea-bargained on their behalf, but on the whole of Philadelphia's legal system.
To celebrate the release the highly anticipated new thriller, Harry Brown, starring the legendary Sir Michael Caine we have joined forces with Lionsgate to give away five pairs of tickets to the world premiere on Tuesday 10th November in London’s Leicester Square. The film also stars rising British talent Ben Drew (ADULTHOOD), AKA rapper Plan B.
It's not been a good century for Busta Rhymes who is struggling to repeat his early successes with his optimistically-titled Motown debut Back On My B.S. Frequently, when an album appears a 18 months behind schedule, it sounds dated and desperate, however loudly Busta proclaims himself "emperor of every round table in the house". British hip-hop was once the poor relation to its American cousin, but one searches in vain here for something with the spark and invention of a "Bonkers", or a Slime & Reason; instead, it's the usual tired celebrations of thug life and bling culture, with the usual parade of lazy guest spots. Lil Wayne turns up to brag about his cash on "Respect My Conglomerate", Akon and T.I. bring a little commercial polish to "Don't Believe Em", Busta's Flipmode Squad buddies get their taste on the aptly titled "We Want In", while the conscious crew of Jamie Foxx, Mary J. Blige, John Legend and Common sound like an afterthought on "Decision". Busta's best line is his boast in "Give Em What They Askin For" about how "I'm throwing money down just to please myself/I'm into self-preservation so I'll freeze myself"; but his career's cold enough, by the sound of it.
The latest musical biopic may be flawed, but the story it tells of a legendary blues and rock'n'roll label is compelling, writes Pierre Perrone