Jonathan Romney picks the best and worst Oscar decisions and presents his guide to 2011
Javier Bardem has so many troubles, some not of this world, even he can't rescue this artsy flop
Fame does not sit comfortably on the shoulders of Javier Bardem. But what can you do when you are one half of Hollywood's hippest couple and you've triumphed at Cannes and the Oscars? The actor talks to James Mottram about invasions of privacy and getting under the skin of a dying man in his new film
His fantastical films explore many horrors, but none quite so terrible as his lengthy Hobbit nightmare, he tells James Mottram.
This breezy tale of two American tourists (Scarlett Johansson and Rebecca Hall) who have their hormones and preconceptions shaken by two Spanish artists (Javier Bardem and Penélope Cruz) is the return to form Woody Allen fans had given up hoping for.
If you’re thinking of gate-crashing, don’t. Getting into the Oscars will be like getting into Fort Knox, reports Guy Adams
Allen takes two girls on a summer holiday and produces his best work in at least a decade
His smouldering looks and on-screen presence usually do the talking. But this time it is what the Oscar-winning Spanish actor Javier Bardem has said that has landed him in trouble with his compatriots.
I know, I know, this ought to be the big event of this week, if not this year. A beloved book by Gabriel Garcia Marquez, adapted by Ronald Harwood (hot property after The Diving Bell and the Butterfly), directed by Mike Newell (Four Weddings and a Funeral! Donnie Brasco!), and starring Javier Bardem: what could go wrong?
Javier Bardem's villainous bob has made even more headlines than the Oscar-sweeping film in which he and it starred. Tim Walker considers the strange cinematic potency of the really unpleasant hairdo
Tilda Swinton said her Oscar's buttocks reminded her of her American talent agent. The best original screenplay award went to a tattoo-covered former stripper. It was a fine night for the Brits, not to mention the French and the Spanish.
Daniel Day-Lewis and Tilda Swinton swept Britain to Oscar glory today while No Country For Old Men was the biggest film of the ceremony.
This may be as festive as Hollywood gets this year: a rain-soaked red carpet; a clutch of stars trying not to look worried about the dispute crippling their business; and a pall of grief over the death of Heath Ledger.
In any other year, it would have been a glittering night for British talent at Hollywood's Golden Globes: acting prizes for Julie Christie and Daniel Day-Lewis, Ricky Gervais's Extras named the best comedy on television, and the biggest recognition of all, the award for best dramatic picture, going to Atonement, Joe Wright's adaptation of an Ian McEwan novel.