Wynton Marsalis is playing six almost instantly sold-out sets over three nights in London, one of them marking the Ronnie Scott’s club’s first venture into opera-style live streaming, to sate the massive imbalance between Marsalis supply and demand.

Press "Play" and stand well back: RR+P's 1981 debut is still strong stuff, with a level of energy and experiment that shames today's boho fringe.

In an infinitely less muddy, far smaller way, the first Love Supreme festival is a Woodstock moment for British jazz: an often isolated tribe of fans realising there are more of them than they thought, and many others discovering they like jazz after all.

The Mallorcan singer goes a bit more uptempo on this, her sixth album, and it’s a welcome move.

Amy Winehouse’s battered black suitcase is crammed with photos of her family and friends. There is the red jumper she wore as her Sylvia Young School uniform with her name label, as well as her record collection, passes for gigs and her first guitar. These are just a few of the intimate objects on show at Amy Winehouse: A Family Portrait at London’s Jewish Museum in Camden, where Winehouse lived, that have been lovingly put together by her brother Alex and his wife Riva, just two years since she died in 2011.

Musician Ben Tucker performed with stars from Quincy Jones to Peggy Lee before he settled in the 1970s in Savannah, where the jazz bassist became one of the Georgia city's best-known working musicians.

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Since the 1980s, John Zorn has composed 500 songs inspired by traditional Jewish music, a series known as the Masada Book, variously recorded by adventurous musicians such as Marc Ribot and now Pat Metheny.

There was never a clear school of thought on the films of Jesus Franco. His work was variously given a retrospective at the Cinémathèque Française in 2008, and mocked on Mystery Science Theater 3000, a show devoted to ridiculing the most inept of B-movies, in 1992. What was beyond argument was that his "sexadelic" horror output, running to over 190 films – many made during his most productive period in the late 1960s and 1970s – and boasting titles like Vampyros Lesbos (1971) and A Virgin Among the Living Dead (1973), typified his work, as did his habitual use of the zoom lens.

This UK ensemble have followed up a collaboration with Mulatu Astatke with their most compellingly immersive work to date.

My parents loved the blues and early jazz, and I grew up to the sounds of Bessie Smith, Billie Holiday, Leadbelly and Fats Waller.

When Van Morrison invites Gregory Porter to sing “Tupelo Honey” with him as he closes the Cheltenham Jazz Festival, he sums up its open spirit. Grammy-nominated Porter is a barrel-chested, bearded giant with a strange deerstalker for headgear, who as the festival’s tireless Artist in Residence was already unmissable and omnipresent.

I'm worried my love of the book will be killed if I watch Lurhmann's new film

This double CD plus DVD and book combo offers a fascinating glimpse into pan-Caribbean music and culture from the 1920s to the 1970s, with the archive collection of original Pathé newsreels on the DVD particularly resonant, but there’s a seeming randomness to the project that irks.