The American pianist Richard Goode doesn’t give many recitals, but his uniquely personal vision ensures that each one is special.

Emerging musicians get a welcome platform, but please change the record

An unknown work by the composer Johannes Brahms has come to light after almost 160 years following its chance discovery in a visitor's book, and will be played for the first time next week.

Dance is the dominant theme in clarinettist Martin Fröst's eclectic recital with the Australian Chamber Orchestra.

Great pianists often gravitate to chamber music in their maturity, as though the satisfactions of communal music-making finally outweigh the thrills of solo achievement.

Brahms's Double Concerto in A minor for Violin and Cello was in its day a very unfashionable form, since concertos were expected to pit a lone soloist against the massed forces of an orchestra. But its intimate dialogue had a suitably intimate inspiration.

From John Dowland to Led Zeppelin, JS Bach to Robert Johnson, critic Alex Ross spans many octaves without any sign of strain.

The hall was packed for the coming-together of Bernard Haitink and Emanuel Ax, two of the most seasoned maestri in the business, to deliver Brahms. But before ‘Piano Concerto No 1’, the great Dutch conductor and the Chamber Orchestra of Europe gave us Brahms’s ‘Symphony No 3’, prefaced by an illuminating programme-interview.

Can it really be true that Purcell’s ‘Fantasia No 6 in F major’ has never before been played at a Prom?

Pinchas Zukerman is a musician through whom history is stamped as through a stick of Brighton rock.