Going, going, gone – to my billionaire best friend in the fifth row. It takes years to train as an auctioneer and a couple of decades on top to smooth one's salesroom patter and gavel-banging. If you're Leonardo DiCaprio, though, a few pals in high places are all you need. At an auction at Christie's New York on Monday, the actor raised $38.8m (£25.5m) for his Foundation, which works to protect endangered species and wildlife habitats.
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Wednesday 10 October 2012
Wasn't he the Amy Winehouse of the art world?
Tuesday 09 October 2012
"The only thing the market liked better than a hot young artist was a dead hot young artist, and it got one in Jean-Michel Basquiat,” the art critic Robert Hughes once said.
Tuesday 05 April 2011
Friday 07 January 2011
One of the works in Dennis Hopper's art collection, which goes to auction next week in New York, is a portrait of the late actor by British artist Johnny Yeo. Yeo is known for his 2009 portrait of David Cameron, which sold for £200,000 – a record for a politician yet to serve as PM (it might not fetch so much these days). But he's also one of just three artists granted permission to paint Hopper, the others being Julian Schnabel and Andy Warhol. The second work of Yeo's in the Christie's sale is a montage of falling leaves made from pornographic magazine clippings, won by the actor in a bowling competition. The art-loving Hopper, Yeo tells me, considered acting a dirty job necessary to fund his collection. "The first time Dennis sat for me," he remembers, "I wanted to take him for lunch somewhere that he wouldn't have been before. I decided the Chelsea Arts Club was off the beaten track, but suitably bonkers. When we walked in, though, the place was absolutely empty. Dennis turned to me and said, 'You know, it was a lot more fun when I used to come here with Hockney in the Sixties.'"
Sunday 05 December 2010
Sunday 28 November 2010
Sunday 12 September 2010
Sunday 05 September 2010
Friday 03 September 2010
The real-life romance behind the film could not have better advertised its subject matter: a Jewish American film director and son of a Zionist mother meets a Palestinian woman at an art exhibition, falls in love, reads about her traumatic childhood under Israeli occupation and brings her moving story to the screen.
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