Kate Hudson

Tom Sutcliffe: What a Carrie on: will we ever agree?

Another week, another cinematic misogyny row. Last week the silt was stirred up – in a rather intriguing way – by Sex and the City 2, a franchise extension which seemed to unleash an informal contest amongst largely male critics to come up with the most scathing dismissal. I think Philip French probably took gold with his, perhaps debatable, suggestion that "most reasonable people would probably prefer to be stoned to death in Riyadh than see this film a second time". But it wasn't just men who hated the movie. Women writers also weighed in, to lament the way that the characters they loved had been reduced to air-headed clothes-horses capable of nothing more creative than swiping a credit card. The charge of misogyny was aimed squarely at the film itself, with some ingenious bloggers introducing an extra triangulation, pointing out that the writers of series and film are gay, and that this might have fed into less than enlightened views about what women really care about.

Jim Thompson: Pulp friction

They're criticised for being violent and misogynistic, but Jim Thompson's Fifties novels make for compelling cinema, as a new version of The Killer Inside Me proves

Album: She & Him, Volume Two (Double Six)

She may not have had the biggest of Hollywood hurdles to overcome, being known mainly for low-key but likeable film roles such as Cameron Crowe's hot air-hostess sister in Almost Famous.

Cinema's love guru: What guys can learn from Matthew McConaughey

I should probably face it: I'm never going to look like Matthew McConaughey. I'll never have those locks, those pecs, that smug grin. But by watching his movies, atrocious though they are, I might learn what makes him so irresistible to women. In his new film Ghosts of Girlfriends Past, for example, McConaughey seduces his way through most of the models in North America, sabotage his brother's wedding, and snare Jennifer Garner.

Anne Hathaway: Fame, scandal and the road to the Oscars

Just months after her private life was touched by scandal, Anne Hathaway finds herself nominated for a Golden Globe – and a serious contender for this year's Oscars. James Mottram talks to the actress about the ups and downs of fame

27 Dresses (12A)

Gloss, corn, cliché – what more do you want from a wedding?