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The Week in Arts
One of the most important private theatre collections in the world, that of the actors and historians Raymond Mander and Joe Mitchenson, has at last found an ideal home at Bristol University, where it will be preserved as an educational and research facility within the university's theatre library.
The 39 Steps is the hilarious comedy based on the 1935 Hitchcock spy film with four actors playing a minimum of ONE HUNDRED and ‘39’ roles.
The 39 Steps is the hilarious comedy based on the 1935 Hitchcock spy film with four actors playing a minimum of 100 and ‘39’ roles!
Now in its 48th year, the Ulster Bank Belfast Festival at Queen’s once again brings an extraordinary programme of cultural delight, to excite inspiration and provoke thought.
Did Aristotle Onassis really conspire in the assassination of Bobby Kennedy in 1968? And did he do so out of cultural envy, sexual jealousy, business tactics, in deference to the PLO (with whom he safeguarded his commercial airline), or mere spite?
A 7ft beast in Newcastle, political beasts in Staffordshire and a free feast at St Paul's
He is Shakespeare's gloriously Machiavellian monarch-in-waiting, who machinates and murders his way to the throne during the 15th-century Wars of the Roses.
As chairman of Bafta, all my spare time is spent catching up with the past year's releases. In the last few weeks I've watched: 'The Road', 'Brothers', 'The Blind Side', 'Coraline', 'Sex & Drugs & Rock & Roll', 'The Men Who Stare at Goats', 'Fish Tank', 'Sherlock Holmes' and 'It's Complicated'.
In recent years Joanna Lumley has been more often found in the corridors of Westminster than on the boards of the West End. However, this summer she will return to the London stage for the first time in 15 years to star in a revival of the historical comedy, La Bête.
Fifteen nominations at the Laurence Olivier Awards are a fitting recognition of the theatre's radicalism. Arifa Akbar reports
Hollywood stars Rachel Weisz, Jude Law, Keira Knightley and Gillian Anderson were today nominated for Laurence Olivier Awards, theatre's top accolades.
Rory Coleman, 46
When Hattie Morahan played the dowdy, sensible Elinor Dashwood in Andrew Davies' adaptation of Sense and Sensibility, the television critics lavished her with fulsome praise worthy of a love letter penned by Mr Ferrars himself. Her "winningly unshowy performance" was described as both "luminous" and "exceptional". "As good a piece of acting as you're going to see this year" declared one review – a particularly bold claim given that it had screened on 1 January. Even Davies, who had apparently objected to her casting, declared that he had "fallen in love with her performance".
Charlton Heston was one of the iconic film stars of the 20th century, a tall, rugged actor with patrician features who became associated with epic spectacles in which he played historical or biblical figures of influence and authority. He was Moses in The Ten Commandments, won an Oscar for the title role in Ben-Hur, and also played El Cid, John the Baptist, Michelangelo, General Gordon and Mark Antony. He did notable work too in such thrillers as the films noirs Dark City and Touch of Evil, the western Will Penny and the cult sci-fi movies Planet of the Apes and The Omega Man.
Lean faced and sinewy, the versatile actor Roy Scheider reached his career peak in the Seventies, when he received two Oscar nominations, as best supporting actor for his role as police partner to "Popeye" Doyle (Gene Hackman) in The French Connection (1971), and as best actor for his uncompromising performance in Bob Fosse's autobiographical All That Jazz (1979).