The bassoonist Kerry Camden was one of the most distinguished musicians of his generation.
Sir Simon Rattle, chief conductor and artistic director of the Berliner Philharmoniker since September 2002, will collaborate with the London Symphony Orchestra (LSO) at the Barbican for the first time in 10 years, when he returns to conduct Messiaen's Et Exspecto Resurrectionem Mortuorum and Bruckner's Symphony No 9 in March 2011.
Francesca Jackes on the dark side of the orchestra
Fateful prophecies and exultant perorations – the enduring spirits of Leos Janacek and Josef Suk ascend from the valley of the shadow of death and another of Vladimir Jurowski’s beautifully crafted programmes for the London Philharmonic makes connections that will profoundly affect the way we hear these works in the future.
Renowned conductor Sir Edward Downes and his wife, who died together in an assisted suicide clinic, were devoted to each other, the musician's manager said today.
Paavo Järvi's curious Mahler programme with the Frankfurt Radio Symphony Orchestra brings together the original versions of three symphonic movements that were either once intended for different purposes ("Blumine" and "Totenfeier") or formed part of an incomplete work (the "Adagio" from the 10th Symphony).
Last Shop Standing lifts the lid on an industry in tatters. Graham Jones has worked at the heart of record retailing since the golden era of the 1980s. He was there during the years of plenty and has witnessed the tragic decline of a business blighted by corruption and corporate greed. Last Shop Standing is a hilarious yet ahrrowing account by a man who has been there and sold that.
The symphonic debut of a new conductor and orchestra partnership is always an event. Long associated with contemporary music, the City of Birmingham Symphony Orchestra tears into the first of a cycle of Tchaikovsky's symphonies for the German label Orfeo under its young Latvian music director Andris Nelsons.
As Simon Rattle returns to his home city of Liverpool, Lynne Walker joins him in rehearsals to watch how he can transform an orchestra
All three works in this collaboration between Ilan Volkov, the BBC Scottish Symphony Orchestra and pianist Steven Osborne date from 1938 to 1940.
A highly charged performance of some of the most erotic music in the orchestral repertoire is as classy as it is explicit
Rattle returns to a love-in