Arts and Entertainment

Barbican, London

LSO Discoveries, LSO St Luke’s, London

The audience in this majestic eighteenth-century space - with its twenty-first century acoustic - is not the usual one for classical music.

London Symphony Orchestra / Gergiev, Barbican Hall, London

One wonders if it was by design or accident that James MacMillan's new Violin Concerto was programmed here alongside Stravinsky's Symphony in C? MacMillan seemed to take up precisely where Stravinsky left off recalling the kinetic syncopations and even the melodic flavour of the symphony's playful first movement. The energy of one happily infected the other.

London Symphony Orchestra/ Davis, Barbican Hall, London

Familiarity can and does breed contempt – but never where Haydn and Mozart are concerned.

Wyn Morris: Conductor whose gifts were undermined by his relations with musicians and administrators

Wyn Morris was one of the finest conductors that Britain has produced, an interpreter whose readings of the late-Romantic repertoire in particular drew excited reviews from the critics. But Morris's character was that of a Shakespearean hero, his immense gifts undermined by personal weakness – an insecurity which time and again poisoned his relations with other musicians and with the administrators whose approval he never realised he required. His ornery instincts, exacerbated by alcoholism, could make his behaviour unreliable to the point of self-destructiveness.

London Symphony Orchestra/Bychkov, Barbican Hall, London

Not all this year’s bicentennial tributes to Chopin will necessarily be by Chopin.

London Symphony Orchestra / Adams, Barbican Hall, London

The intimations of Ravel and Stravinsky in Colin Matthews' opulent orchestrations of Debussy's gusty Préludes, "The Wind in the Plain" and "What the West Wind Saw", made for a quite incestuous feel to the second of John Adams' cunningly devised concerts with the London Symphony Orchestra. Five composers cross-fertilised in interesting ways.

London Symphony Orchestra/ Adams, Barbican Hall, London

The intimations of both Ravel and Stravinsky in Colin Matthews’ opulent orchestrations of Debussy’s gusty Preludes “The Wind in the Plain” and “What the West Wind Saw” made for a quite incestuous feel to this the second of John Adams’ cunningly devised concerts with the London Symphony Orchestra. All five composers cross-fertilised in interesting ways.

Rattle and LSO join forces

Sir Simon Rattle, chief conductor and artistic director of the Berliner Philharmoniker since September 2002, will collaborate with the London Symphony Orchestra (LSO) at the Barbican for the first time in 10 years, when he returns to conduct Messiaen's Et Exspecto Resurrectionem Mortuorum and Bruckner's Symphony No 9 in March 2011.

Abbey Road's greatest hits

As The Beatles' former studio faces closure, leading figures in music tell Mark Jewsbury what they think is the best album ever recorded there

Elektra, Barbican Hall, London<br/>Le vin herbé, St George's, Bloomsbury, London

Earplugs come in handy once Greek tragedy is in full cry, but a neglected oratorio proves exquisite

Verdi Otello, London Symphony Orchestra &amp; Chorus/ Davis, Barbican Hall, London

The real “Lion of Venice” here was Sir Colin Davis – 80-something going on 40-something and every inch the commander in chief as the mighty storm at the outset of Verdi’s Otello exploded from the Barbican platform.

LSO/Valery Gergiev/ Jean-Efflam Bavouzet, Barbican, London

French feasts are high on the agenda of the London Symphony Orchestra this season: a strand of their programmes under their principal conductor, Valery Gergiev, is devoted to the world of music as seen by Henri Dutilleux, at 93 France's greatest living composer.

Prom 52: LSO/Gergiev, Royal Albert Hall, London

How do you musically represent the explosion of an atom bomb? Last year John Adams showed us in his new opera Dr Atomic: a succession of shattering brass triads in G sharp minor, with an extra hyper-romantic chord thrown in. Alfred Schnittke's way, half a century ago, was to bombard his audience with everything in his orchestral armoury – string and trombone glissandi, cluster-chords, roars on percussion, and tremolandi all round. But the Nagasaki oratorio which Valery Gergiev and the London Symphony Orchestra brought to the Proms didn't give us Schnittke the mature and playful "polystylist": this was Schnittke the student, and it showed.

Prom 52, LSO/Gergiev, Royal Albert Hall, London

How do you musically represent the explosion of an atom bomb?

Voices
On the last day of campaigning before the polling booths open, the SNP leader has written to voters in a final attempt to convince them to vote for independence
scotland decidesIs a huge gamble on oil keeping First Minister up at night?
Arts and Entertainment
Rosalind Buckland, the inspiration for Cider with Rosie died this week
booksBut what is it like to be the person who inspires a classic work of art?
Life and Style
techApple has just launched its latest mobile operating software – so what should you do first?
News
A male driver reverses his Vauxhall Astra from a tow truck
newsThe 'extremely dangerous' attempt to avoid being impounded has been heavily criticised
Arts and Entertainment
Lionel Messi in action for Barcelona
filmSo what makes the little man tick?
Arts and Entertainment
tvReview: An undercooked end (spoiler alert)
News
i100
Career Services

Day In a Page

Independent Travel
Panama
Languedoc Roussillon
Marrakesh & the Atlas Mountains
Bruges
The Jura Mountains
Dubrovnik & the Dalmatian Coast
Prices correct as of 17 September 2014
Mystery of the Ground Zero wedding photo

A shot in the dark

Mystery of the wedding photo from Ground Zero
His life, the universe and everything

His life, the universe and everything

New biography sheds light on comic genius of Douglas Adams
Save us from small screen superheroes

Save us from small screen superheroes

Shows like Agents of S.H.I.E.L.D are little more than marketing tools
Reach for the skies

Reach for the skies

From pools to football pitches, rooftop living is looking up
These are the 12 best hotel spas in the UK

12 best hotel spas in the UK

Some hotels go all out on facilities; others stand out for the sheer quality of treatments
These Iranian-controlled Shia militias used to specialise in killing American soldiers. Now they are fighting Isis, backed up by US airstrikes

Widespread fear of Isis is producing strange bedfellows

Iranian-controlled Shia militias that used to kill American soldiers are now fighting Isis, helped by US airstrikes
Topshop goes part Athena poster, part last spring Prada

Topshop goes part Athena poster, part last spring Prada

Shoppers don't come to Topshop for the unique
How to make a Lego masterpiece

How to make a Lego masterpiece

Toy breaks out of the nursery and heads for the gallery
Meet the ‘Endies’ – city dwellers who are too poor to have fun

Meet the ‘Endies’ – city dwellers who are too poor to have fun

Urbanites are cursed with an acronym pointing to Employed but No Disposable Income or Savings
Paisley’s decision to make peace with IRA enemies might remind the Arabs of Sadat

Ian Paisley’s decision to make peace with his IRA enemies

His Save Ulster from Sodomy campaign would surely have been supported by many a Sunni imam
'She was a singer, a superstar, an addict, but to me, her mother, she is simply Amy'

'She was a singer, a superstar, an addict, but to me, her mother, she is simply Amy'

Exclusive extract from Janis Winehouse's poignant new memoir
Is this the role to win Cumberbatch an Oscar?

Is this the role to win Cumberbatch an Oscar?

The Imitation Game, film review
England and Roy Hodgson take a joint step towards redemption in Basel

England and Hodgson take a joint step towards redemption

Welbeck double puts England on the road to Euro 2016
Relatives fight over Vivian Maier’s rare photos

Relatives fight over Vivian Maier’s rare photos

Pictures removed from public view as courts decide ownership
‘Fashion has to be fun. It’s a big business, not a cure for cancer’

‘Fashion has to be fun. It’s a big business, not a cure for cancer’

Donatella Versace at New York Fashion Week