Arts and Entertainment Dominique Gonzalez-Foester's installation 'TH.2058' which opened in October 2008 at the Tate modern

Tate Modern has ensured another decade of popular large-scale installations in its Turbine Hall – which has hosted work from Ai Weiwei’s porcelain sunflower seeds to Olafur Eliasson’s giant sun – after signing its “largest and longest” sponsorship deal.

Alex Van Gelder, Meat Portrait #026, 2012

Alex Van Gelder, Meat Portraits- art review: 'The overwhelming feeling is one of nausea'

Georgia O’Keefe meets the body-preserving anatomist Gunther Von Hagens

The king of cool: Contemporary art has found a home at Raimund Berthold's Thames-side flat

Either the Warhols or the radiators had to go – fashion designer and contemporary-art collector Raimund Berthold never had an easier decision to make, says Holly Williams

The Saturday quiz answers

Here are the answers to this week's quiz...

Photography book review: Youssef Nabil, with text by Hans Ulrich Obrist and Marina Abramovic

Youssef Nabil’s work oscillates between a personal photographic journal and portraits featuring internationally renowned film stars, directors, popular musicians, artists, architects, and choreographers.

Bourgeois, Spider 1 1995

Giant spiders head to National Galleries of Scotland for Louise Bourgeois exhibition

The National Galleries of Scotland is set to stage the country’s first major exhibition of acclaimed American artist Louise Bourgeois, known for her huge bronze sculptures of spiders, later this year.

Last Night's Viewing: Great Artists in Their Own Words, BBC4
Parks and Recreation, BBC4

There's a kind of catch embedded in the title of Great Artists in Their Own Words. It implicitly promises access to an authored revelation but the truth is – given the dynamics of the modern media – that what you usually get is an artist trying to escape the net of someone else's words. The process goes roughly like this.

Great Works: Spider (2007) by Louise Bourgeois

Private collection

Judy Chicago (with works by Tracey Emin, Helen Chadwick & Louise Bourgeois), Ben Uri: The London Jewish Museum of Art, London

“You are here to serve your masters.” This is a line from the S&M classic Story of O (1954), a tale about a career woman who succumbs to sexual slavery in a secluded château at the behest of her lover, René.

Bold Tendencies: Sculpture Project 6, Peckham Multi-story Car Park

Overlooking the Bussey Building, where Victorian industrialist George Bussey once made a killing by manufacturing everything from roller-skates to cricket bats, the upper levels of this disused Peckham car-park have been swept and filled with Art.

Debut Susie MacMurray show - picture preview

Provocative and perturbing, the acclaimed artist brings together a visceral collection under one roof for the very first time

Frida Kahlo & Diego Rivera: Masterpieces from the Gelman Collection, Pallant House Gallery, Chichester

Seeing the work of Frida Kahlo and Diego Rivera hung side-by-side offers an intriguing insight into their fates

Alice Anderson: Tressed for success

Alice Anderson's colossal installations made of red hair are at once comforting, suffocating and scarily realistic, says Alice Jones – and very much an extension of the artist herself

When Tracey Emin met Louise Bourgeois

Shortly before her death last year, Louise Bourgeois collaborated with Tracey Emin. The two artists shared a passion for works about sexuality and intimacy – and the results are certainly startling, says Arifa Akbar

The Life of the Mind: Love, Sorrow and Obsession, New Art Gallery, Walsall

This group show with a rather grandiose title has been curated by a Turner-shortlisted male artist who goes by the name of Bob and Roberta Smith. Smith has been artist-in-residence at the New Art Gallery, Walsall, combing through a remarkable archive of the works and personal effects of Jacob Epstein, which were bequeathed to the city by Epstein's widow in 1973.

Martin Creed: Mothers, Hauser & Wirth, Savile Row, London

This twinset of behemoth galleries near Savile Row, opened by Hauser & Wirth last October, feel more like something that you would find in the post-industrial landscape of New York's Chelsea gallery district, than they do premises located on London's historic tailoring street. They opened with an exhibition of work by the late Louise Bourgeois – her menacing, crouching steel spider sculpture patrolling the galleries. And so, now, we welcome Martin Creed to the space to give it to give it a lick of his likeable shtick. The Turner Prize-winning artist often works in a rule-based way – regularly letting his materials dictate the work. Some of the paintings in this exhibition are made by taking a set of brushes and making a single stripe with every size, so that you end up with something that looks like a set of stairs or a stack of colour, in yellow, green or pink. They are like comical Frank Stellas: they are what they are. What they are, in this show, however, is overabundant, and the hang is a bit hodgepodge.

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Computer image of ‘Sweetie’ represented entrapment, experts say
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