Seeing the work of Frida Kahlo and Diego Rivera hung side-by-side offers an intriguing insight into their fates

Alice Anderson's colossal installations made of red hair are at once comforting, suffocating and scarily realistic, says Alice Jones – and very much an extension of the artist herself

Shortly before her death last year, Louise Bourgeois collaborated with Tracey Emin. The two artists shared a passion for works about sexuality and intimacy – and the results are certainly startling, says Arifa Akbar

This group show with a rather grandiose title has been curated by a Turner-shortlisted male artist who goes by the name of Bob and Roberta Smith. Smith has been artist-in-residence at the New Art Gallery, Walsall, combing through a remarkable archive of the works and personal effects of Jacob Epstein, which were bequeathed to the city by Epstein's widow in 1973.

This twinset of behemoth galleries near Savile Row, opened by Hauser & Wirth last October, feel more like something that you would find in the post-industrial landscape of New York's Chelsea gallery district, than they do premises located on London's historic tailoring street. They opened with an exhibition of work by the late Louise Bourgeois – her menacing, crouching steel spider sculpture patrolling the galleries. And so, now, we welcome Martin Creed to the space to give it to give it a lick of his likeable shtick. The Turner Prize-winning artist often works in a rule-based way – regularly letting his materials dictate the work. Some of the paintings in this exhibition are made by taking a set of brushes and making a single stripe with every size, so that you end up with something that looks like a set of stairs or a stack of colour, in yellow, green or pink. They are like comical Frank Stellas: they are what they are. What they are, in this show, however, is overabundant, and the hang is a bit hodgepodge.

Tracey, would you give me a hand for a moment?

In phobia terms, Reaktion's terrific animal series has reached the king of beasts. Arachnophobia, the Miss Muffet syndrome, is "now counted among the most interesting human neuroses".

It is perhaps the art world's most intriguing collaborations of recent years; drawings begun by the great French artist Louise Bourgeois shortly before she died in May this year, and completed by Britart icon Tracey Emin. Now the collection of 16 works that make up Do Not Abandon Me are coming to London.

The ever popular Redstone Diary returns with the 2011 version which takes ‘The Artist's World’ as it's theme. This edition follows on from the successful Russian Diary.

Grace, calm and domesticity shine through the final works of a great feminist artist, says Michael Glover

Frieze Art Fair is back – and it's bigger than ever, with 173 international galleries. Alice Jones looks forward to this year's event and the week-long whirl of auctions, exhibitions and parties it brings to London

Reading Jane Miller's Crazy Age is rather like peering into one of the cluttered-up drawers she talks about being saddled with, now that she's old. It's a shame that those thoughts are presented in such a confused jumble. There's a lot here that should have been put into a bag and taken off to Age Concern. Is this a book about how novelists and writers have viewed youth and age through the centuries? Is it an autobiography? Is it a treatise on old age? And what's all that waffle doing here, linking all these disparate bits together?

Insomnia and artistic expression have always been strongly linked, says Hannah Duguid. Now a major London gallery is hosting a unique all-night investigation into the subject