If you're heading for Sicily this autumn, Peter Robb's masterpiece Midnight in Sicily is de rigueur. If Naples and environs is your goal, you may be better off saving this extraordinary work until you get back. The muscular exuberance of Robb's style – one of the finest in contemporary English – is perfectly suited to Neapolitan brio but the central topic of this book is the art of the 16th century.

The works showed 'the faces, bodies and scenes Caravaggio would use in later years'

A six-pack is the Holy Grail of men's fitness. But just how difficult is it for an average male to achieve? Gym-shirker and beer drinker Tom Mitchelson gave himself six weeks to get into shape

A six-pack is the Holy Grail of men's fitness. But just how difficult is it for an average male to achieve? Gym-shirker and beer drinker Tom Mitchelson gave himself just six weeks to get his abs in shape

Santa Maria del Popolo, Rome

Feuds, brawls, exiles, murders, sexual intrigues (of every variety): tell with flair and zest the life and times in Milan, Rome, Naples and Malta of Michelangelo Merisi (1571-1610), and it already makes for a shockingly rollicking read.

The mayor of Florence wants a referendum to decide if the city should embark on a major work by Michelangelo that was shelved because of the huge cost nearly 500 years ago.

In July 2008, I sat in the early-evening sun on the terrace of the Villa d'Este in Tivoli – the palace, surrounded by exuberant fountains and cascades, built in the 1550s for Lucrezia Borgia's son Ippolito as a sort of consolation prize for his failure to win the papacy. I strained to spot the dome of St Peter's, supposedly visible across the plain that separates the Sabine Hills from Rome. But my companions, local councillors and archaeologists, had more than tourist clichés on their mind. They told me about the hysteria that had recently greeted the election over in Rome of a mayor with a neo-Fascist past, Gianni Alemanno (who's still in office).

A respected Italian art scholar claims to have identified a previously unknown painting by Michelangelo at the University of Oxford.