Opera singer out of work after surgery left her unable to sing due to chronic flatulence

Surgeons say the problem may be difficult to fix

Manon, opera review: 'There are many things to like about this production'

Royal Opera House, London

The Teatro alla Scala in Milan is one of the few opera houses that can pay its bills

Lend us a tenor: Italian opera houses in need of funding

Some observers say changing tastes and diminishing attention spans have been bad for the elaborate art form

Sir Thomas Allen, opera singer

Page 3 Profile: Sir Thomas Allen, opera singer

A real-life rags to riches story?

Classical album reviews: Tania Kross, Bruno Perrault & Matteo Ramon Arevalos, Thomas Zehetmair

Tania Kross, "Krossover – Opera Revisited" (Challenge Classics)

Best of 2014: Classical and opera preview

Michael Church picks this years must-hear classical

Invisible Ink: No 203 - A jobbing artist

Some time ago I searched for the author of the brilliant first novel Here (Away From It All), by Maryann Forrest, which I’d owned as a teenager. When I asked Independent on Sunday readers to help me locate her, I received a letter inviting me to lunch.

Radio Days: The golden age of AM is long gone but it’s cherished by many Americans

Turning up the voice of America

The warm crackle and hiss of AM radio lives on in the US, and is about to get a boost that could put it back at the heart of communities

Parsifal: Opera review

Royal Opera House, London

Maria Callas Google Doodle celebrates 90th birthday of Greek soprano

The search engine's logo shows the diva singing against the backdrop of an opera house

The Mariinsky Stradivarius Ensemble

Review: Mariinsky Stradivarius Ensemble, Milton Court Concert Hall, London

The Berlin Phil, the Gewandhaus, and the CBSO have long done it, and now the Mariinsky are doing it too: sending a posse of top instrumentalists as chamber-music outriders to their main orchestral push. Making their British debut under Valery Gergiev in the Guildhall's new Milton Court auditorium, the Stradivarius Ensemble went through their paces with three works which showcased their instruments as much as their talent. For these were no ordinary instruments: Strads and Guarneris, Guandinis and Amatis, all from the golden age of string manufacture.

The Wasp Factory at the Linbury Theatre

Opera review: The Wasp Factory

A mind-numbingly pretentious 75 minutes

Digging deep: 'The Wasp Factory' at the Linbury Studio

The Wasp Factory: An opera with murder in its heart and a sting in its tale

Iain Banks' cult novel is the unlikely source for a new show at Covent Garden

L'Orfeo at the Barbican

Classical review: Orfeo, Academy of Ancient Music/Egarr

Britain’s first Academy of Ancient Music was founded in 1726 as a private club of singers meeting in a London tavern to entertain each other: ‘ancient’ meant anything not in the contemporary repertory. Britain’s second AAM was founded in 1973 by harpsichordist Christopher Hogwood, to perform what was now called ‘early music’ on original instruments. Over the past four decades they have helped revolutionise early-music performance, blazing a trail followed by Baroque ensembles everywhere.

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