Last year Jayson Khun-Dkar read an advert in a newspaper while sitting on the bus. At the time, he could not read a single musical note and his experience as a singer amounted to a few bravado karaoke performances, which, though highly commended by his friends, gave no clue to an extraordinary talent lying dormant within. Today, Jayson Khun-Dkar is an opera singer.

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Einstein on the Beach at the Barbican Theatre

Einstein on the Beach, Barbican Theatre, London Carousel, Grand Theatre, Leeds
Juan Diego Florez, Royal Albert HallLondon

How do you compare multiple Einsteins? Well, it's all relative

La fille du regiment, Royal Opera House

Given that Ann Widdecombe spent her prime promoting Victorian attitudes to abortion and homosexuality, you could argue she has some atoning to do, and her self-reinvention certainly makes a start.

La traviata, Royal Opera House

Three years ago the Albanian soprano Ermonela Jaho was virtually unknown in Britain.

Which firms will rise in 2012?

Despite a turbulent year for markets, our 2011 portfolio made only a small loss. James Moore has our new picks

David Prosser: Price comparison sites battle to be heard

Outlook Sadly for insurer Admiral, Confused is the word that these days sums up customers' attitudes towards the price comparison market – and not Confused.com. With four major players in the market and a myriad of niche competitors snapping at their heels, maybe now is the time for someone to launch a price comparison site comparison site. In the meantime, the winner in this business is the company that shouts loudest (or spends the most on memorable advertising).

How do you solve a problem like damaged vocal cords?

Connie Fisher's plight highlights occupational hazard for singers

Valenti pays tribute to the legacy of the Three Tenors

Among often-heard platitudes that denigrate musical "crossover" is an argument that the Three Tenors did not convince their fans to listen to opera. But now there's living, singing proof that they did. James Valenti, the fast-rising star tenor, says that he might not be where he is now – taking on leading roles at the Royal Opera House – had it not been for their inspiration.

Opera singer Boe bites the (tiny) hand that feeds him

The star of La Bohème picks rock classics over classic arias, to the dismay of others in the musical world

Pelleas et Melisande, Barbican

Strip away the colour from Debussy’s great music-drama, and the plot you are left with has a bourgeois banality: a marital deception, culminating in the cuckold slaying his rival, and his wife dying of shock in childbirth.

Album: Brahms, Ein Deutches Requiem –Järvi/SRC/FRSO (Virgin Classics)

Paavo Järvi's spacious, serene reading of A German Requiem is beautifully recorded.

Album: Anna Netrebko, Marianna Pizzolato, Antonio Pappano, Stabat Mater: a Tribute to Pergolesi (Deutsche Grammophon)

When Anna Netrebko decided to dedicate a programme to Giovanni Battista Pergolesi, the choice of Antonio Pappano as conductor was a crucial masterstroke.

Juan Diego Florez/ Vincenzo Scalera, Royal Festival Hall

Ten years is a lifetime in singing and since his London recital debut, courtesy of Ian Rosenblatt, Juan Diego Florez has achieved superstar status in that highly specialised corner of the bel canto repertoire demanding suppleness and speed of delivery. Things don’t always go his way – even Florez is fallible -and this his fourth Rosenblatt recital was, as the football pundits love to say, very much a game of two halves.

Aleksandra Kurzak finds a voice of her own

Ever since, as a small girl, she sang along with her opera-singer mother's warm-ups – shadowing her coloratura note-for-note in Queen of the Night – Aleksandra Kurzak has been up for challenges. She spent her childhood preparing to become a professional violinist – regarding singing as being too easy – but when Placido Domingo singled out this feisty young Pole in his Operalia festival, she decided to give singing a go instead.

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