Lance Ryan as Siegfried and Nina Stemme as Brünnhilde in Wagner's Siegfried at the BBC Proms

The Proms’ Ring has reached episode three: Siegfried, the one where a fearless beefcake falls in love with his aunt. After the incestuous passions of Die Walküre it doesn’t seem so risqué. Its five-hour span moves from darkest foreboding to love music intense almost to the point of insanity, which Justin Way’s semi-staging matched by flooding the whole auditorium with pinky-gold light.

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Classical review: Prom 18, Siegfried, Daniel Barenboim, Berlin Staatskapelle

The Proms’ Ring has reached episode three: Siegfried, the one where a fearless beefcake falls in love with his aunt. After the incestuous passions of Die Walküre it doesn’t seem so risqué. Its five-hour span moves from darkest foreboding to love music intense almost to the point of insanity, which Justin Way’s semi-staging matched by flooding the whole auditorium with pinky-gold light.

Album review: Sofia Gubaidulina, In Croce (Wergo)

The classical double-bass repertoire is so meagre that even virtuosi like the late Stefano Scodanibbio were forced to create their own material or transcribe works written for other instruments. Scodanibbio's former colleague Daniele Roccato is comparatively spoilt for choice here by Sofia Gubaidulina's pioneering piano duets of the Sixties and Seventies, “Sonata” and “Pantomime”.

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(l-r) Phoebe Aldridge (LUCY MORRIS), Roy Tucker (IAN PEPPERELL), Hayley Tucker (Lorraine Coady) in The Archers

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He was the most reviled and misunderstood monarch in English history, but one of the last remaining mysteries of Richard III could soon be resolved with the help of modern science and a fragment of DNA

Is the body in the car park really Richard III? At last, the answer

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Hans was Heiri, Barbican Theatre, London

Hans was Heiri is built around a rotating house. The set looks like a dolls’ house, a square of four rooms with simple furniture. Then it starts to spin. The performers stay upright as the floor tilts under them, until gravity sends them tumbling from room to room.

Amit Drori’s Savanna: A Possible Landscape as part of the London International Mime Festival

Savanna, A Possible Landscape, Barbican Pit, London

Amit Drori’s Savanna looks like a mechanical Eden. Enchanting robot creatures nose the air and investigate the stage: a trundling tortoise, a springbok made of springs. There are “ohhhs” of wonder and delight as each new animal emerges.

les ballets C de la B, Linbury Studio Theatre, Royal Opera House

les ballets C de la B, Linbury Studio Theatre, Royal Opera House

The Old King shows a man reduced to wordlessness, fighting to communicate or connect with an audience. Dancer Romeu Runa flails about, putting himself through gruelling tasks.

Full tilt: William Bonnet of Circle of Eleven lives dangerously

Dance review: Circle of Eleven - Hang on to your hats – if you can

Take one room, spin it through 90 degrees and let a gravity-defying Frenchman loose in it. Then prepare to be amazed

Harlekin, Linbury Studio Theatre, Royal Opera House, London

Harlequin is traditionally an agile comic character, fast and acrobatic. Russian theatre troupe Derevo have no shortage of physical skill, but it’s stretched out to painful slowness.

Ockham's Razor, Platform Theatre, London

Ockham’s Razor’s aerial performance on the opening night of London International Mime Festival sets out to explore the idea of being lost and visual tales about trust and identity are the happy results.

A resolution to give a little more

If it's running a marathon or growing a tash, I admire those who raise money money for charity

Rafael Benitez praises 'resourceful' former rivals Everton

Rafael Benitez is bracing himself for a hot reception at Everton despite refusing to repeat his small-club jibe ahead of his first match on Merseyside as Chelsea manager.

Soldiers serving in Afghanistan celebrated Christmas with traditional roast turkey lunch

Around 9,000 servicemen and women are deployed in Helmand Province an

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