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Taylor Swift 'attacked' by Ryu from Street Fighter in Grammys YouTube

It says a lot about how seriously people take the Grammy Awards that a video of Taylor Swift's performance of All Too Well has attracted around 180,000 views, while a 28-second clip of it complete with high kicks from Street Fighter's Ryu has already clocked over 2.2 million.

Edinburgh 2013: Official Festival Opening concert, ALexander Nevsky,

What a thrilling start to Jonathan Mills' penultimate International festival: the RSNO in excoriating form, the Festival Chorus, with beefed-up bass section, singing in stirring Russian and clearly-enunciated Latin, all with puppetmaster Valery Gergiev pulling their strings.

Radio review: Archive on 4 - now we know how to make a train robbery

I wonder who first applied the adjective “great” to the term “train robbery”? A sub-editor on the Mirror or Express, I imagine. He or she might well have intended it to describe size rather than worth, but it’s a sign of how we remain titillated by the events of half a century ago.

Album review: Iron and Wine, Ghost on Ghost (4AD)

Sam Beam's latest outing as Iron and Wine is a curious mixture of the fascinating and the frustrating. It's a more obviously welcoming album than its recent predecessors, with the gentle country-soul ambience of songs like “The Desert Babbler” recalling Lambchop in its tempering of soul influences with pedal steel and strings.

Igor Levit, Wigmore Hall, London

Born in Russia, but rigorously trained in Germany from early childhood: a surprisingly large number of piano stars have emerged via this route, with 26-year-old Igor Levit prominent among them.

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Maxim Vengerov, Itamar Golan, Barbican, London

Little by little Maxim Vengerov is easing himself back into the mainstream, after injury and burn-out. His last Barbican foray - with a concerto - was marred by a loss of nerve at critical moments: this time he was going for broke with a chamber recital where, if anything went wrong, he would have nowhere to hide.

Review: Muse, Shepherd’s Bush Empire, London

Stadiums and festival main stages are Muse’s typical performing spaces – in May, they embark on their biggest stadium tour yet – but at tonight’s special concert for War Child, they play to just 2,000 people.