Soul Jazz continues its unending commitment to the recesses of CS Dodd's back catalogue.

Piano: Ludwig van Beethoven

It was a small family bookshop, on a peaceful back street in a small town on the fringes of London. I treated it as my own personal library, and I would sit there for hours on end, often on the floor, usually not buying anything. I loved that bookshop, so naturally I had to go and betray it.

German by birth and buried in France: a BBC film sheds light on the enigma of Frederick Delius. By Jessica Duchen

A BBC film will shed light on the enigma of Frederick Delius

When the French folk-pop singer Mina Tindle supported fellow Gallic artist Camille at the Barbican recently, you could tell the lesser known musician had fairly slayed the audience, when before her final song, someone shouted out for Tindle to introduce herself (it may have been a savvy employee of her record label, mind you, but still...).

Finally! Thirty-two years to the day that the Joy Division singer Ian Curtis hanged himself in his kitchen comes an event celebrating his musical legacy rather than wallowing in the myth and melodrama of his demise.

David Cameron claims that Dark Side of the Moon is his favourite album. Yeah, right says John Rentoul – these days, politicians' pop picks come direct from the focus group

English folk buoyed on a current of ethnic rhythm: tabla, sitar, cittern, dhol, electronica ... It's not an easy trick to pull off without sounding self-conscious and contrived – and in truth contrivance is close to the essence of the project.

While applauding Carlos Santana's dedication of Shape Shifter to native peoples everywhere, it might have been hoped that the album itself were more impressive.

Nick Waterhouse is another retro-R&B stylist in the vein of Sharon Jones and Amy Winehouse, with the kind of analogue obsession that suggests even the valves of his heart glow: this debut album was even cut on the same Gold Star Studios lathe used by Phil Spector.

For Heroes, Willie Nelson both delves into the past, with songs from country music's Forties prehistory, and the present day, with covers of material by Tom Waits, Pearl Jam and Coldplay.

Shaun Ryder’s voice cuts sharply through the mix, every syllable landing cleanly. It’s as unexpected as the sight of a man who has spent most of his 49 years caning it, with a consistency which would put William Burroughs to shame.

Following last year’s balmy weather, 2012’s Camden Crawl meets grey skies and drizzle that suit its low-key vibe.