Taylor Swift, it seems, has something of a soft spot for British men.

Ben Lewin (95mins)

(15)

No matter what our age, background or relationship status, we’re all connected by one common theme – our quest to find love.

Daniel Kitson’s new show is a reflection on reality, memory and our sense of self. Hardly wall-to-wall giggles, you might think, but this publicity-shy, TV-shunning, Perrier Award-winning comic’s talent lies in burrowing into the human psyche and dispensing profound nuggets through tales in which, more often than not, he is the hapless protagonist. After The Beginning, Before The End is like a TED talk with added LOLs.

A tribute by the Norwegian pianist to filmmaker and "formative influence" Michelangelo Antonioni, recorded live at a 2010 jazz festival with an impressive ensemble.

A perpetual voyager is saved by selflessness and a terrific chorus

Organisers breathe a sigh as Health and Safety wins the 4.15 at Aintree

Is a club supposed to reflect some of the deepest values of the community?

David Farr's new take on Hamlet takes place in what looks like the fencing gym of a run-down public school.

We are formed by what we desire,” declares Bill Abbott, the bisexual narrator of John Irving’s thirteenth novel.

Sensitively accompanied by Jonathan Cohen's ensemble Arcangelo, soprano Anna Prohaska here offers a selection of baroque arias based on the supernatural – a mythopoeic world of nymphs, fairies, gods and sorcerors.

With zombie fiction trending so heavily, you could be forgiven for thinking that this fascination with the undead, much like the vampire before it, may be in danger of being done to, well, death. For where else is there to go? The answer, perhaps, lies no longer in aiming for the head, but getting inside it. Or at least that's what Jonathan Levine's new zom-rom-com, Warm Bodies, suggests. A film that is leading the pack in telling us that zombies are people too.

The Groban Phenomenon seems unstoppable – All That Echoes crashed into the American charts at No 1, and will likely follow suit here too – though for all his personable self-deprecation, the blend of operatic pop on which his reputation is built seems strangely thin and insipid.